Showing posts with label afterlife. Show all posts
Showing posts with label afterlife. Show all posts

The Reencounter, Isaac Bashevis Singer

Original edition

Analysis

Written by Aurora Ledesma

BIOGRAPHY

Isaac Bashevis Singer, winner of the 1978 Nobel Prize for Literature, was one of the most admired Jewish writers of the twentieth century, as well as an important figure of literature written in Yiddish, the language in which his books were published throughout his career. His writings describe Jewish life in Poland and in the United States.

Isaac Bashevis Singer was born on the 11th of November 1903 in Leoncin, Poland. He was the fifth of six children, of whom only four survived childhood. His father was a rabbi, and his mother, the daughter of the rabbi of Bilgoraj. His sister Hinde Esther and his brother Israel Joshua, became writers as well and played prominent roles in his life and served as models for a number of fictional characters. His younger brother, Moishe and his mother both died in the Holocaust.

His family moved to Warsaw, Poland, when he was four years old. Singer was also educated in a strict spiritual practice. He received a traditional Jewish education at the Warsaw Rabbinical Seminary. Singer preferred being a writer to being a rabbi. In 1925 he made his debut with the story In Old Age which he published in Warsaw. His first novel Satan in Goray was published in Poland before he migrated to the U.S.A. in 1935.

He was married in Poland and had a son, but when he moved to New York, he left them, and then, in 1938, he met Alma Wassermann, a German Jewish refugee, and married her. He settled in New York, as his brother had done a year before. Singer worked for the Yiddish newspaper Forvets and he also translated many books into Yiddish from Hebrew and Polish; and from German, some books by Thomas Man.

Although Singer’s works were now available in their English versions, he continued to write almost exclusively in Yiddish until his death.

Singer’s has popular collections of short stories translated into English, one of the most popular around the world is Gimpel the Fool. His short stories are saturated with Jewish folklore, legends and mysticism.

Among his most important novels are The Family Moskat, The Magician of Lublin, Enemies, A Love Story, which have been adapted into films. The most famous story adapted to a film is Yentl with Barbara Streisand. He also wrote My Father’s Court, an autobiographical work about his childhood in Warsaw.

He died on the 24th of July, 1991, in Surfside Florida, after suffering a series of strokes. He was buried at Cedar Park Cemetery, New Jersey.


SUMMARY

The story appears in Singer’s 1982 anthology The Collected Stories, a selection of forty-seven works spanning his career and blending Jewish folklore, mysticism, and modern irony.

This is a story of ghosts and the afterlife, a theme that our author Isaac Bashevis Singer loved so much.

Dr. Max Greitzer is abruptly awakened by a phone call informing him of the death of Liza Nestling, a woman who was deeply significant in his life. She had been his great love. Despite the years of separation, the news shocks him, reminding him of their tumultuous thirteen-year love affair,which ended twelve years ago without any communication since. 

Greitzer gets dressed and heads to the funeral parlor in New York City for the service, arriving early. At the parlor, the receptionist escorts him to view Liza’s body in a dimly lit room. Liza lies in a simple coffin. Her face, covered with gauze, is completely unrecognizable, her hair has lost the shine of her youth, and her face, full of wrinkles, is covered by thick makeup. A hint of a smile appears on her lips. How can they do that?, he wonders.

The door of the room opens and a woman, who resembles Liza, enters. At first he thinks it’s Liza’s sister, but then he realizes that this woman is actually Liza herself. This surreal situation reveals a shocking truth: both are now dead and experiencing a strange afterlife together.

They grapple with the absurdity of the situation, wondering how they can remain conscious and aware of everything without their physical bodies. They discuss their pasts, including Liza’s marriage and challenging life, experiencing a mixture of amusement, irony and sadness as they reflect on their deaths and the lack of emotion they feel in this new state. As they float outside, observing the familiar world below, they wonder what life after death means.

They feel liberated from earthly pains, but realize a significant emptiness where their desires once resided. Finally, they begin to rise together, without a destination, gazing down at the earth. Now they embark on a hopeful journey into the unknown reflecting on immortality and the disappointments of life.


SOME REFLECTIONS

The Reencounter is a modern ghost story that prioritizes irony over traditional horror. The author shows us his preference for afterlife stories and he does so with a magnificent sense of humor that hooks us all. The narrative critiques the futility of immortality and treats it with sarcasm and philosophical resignation, as Max says, “of all my disenchantments, immortality is the greatest”.

This story is interesting and engaging to us, because we wonder what will happen to us after we die. Death is one of life’s greatest mysteries because we do not get to understand it until we are dead.


QUESTIONS

-Do you like visiting cemeteries? What can you tell about any you have visited?

-Do you believe in afterlife? In your opinion, what is there after we’re dead?

-In your view, is it possible a communication between living people and dead people? Have you ever player Ouija, or used the services of a psychic?

-According to you, what important things have to be said in a funeral, or written in an obituary?

-Are all philosophic works sheer nonsense?


VOCABULARY

rouged, awry, eulogy, wreath, stingy, astral