Showing posts with label Bowen. Show all posts
Showing posts with label Bowen. Show all posts

The Demon Lover, by Elizabeth Bowen


(We had a previous entry about Bowen, so I have copied some paragraphs.)

Elisabeth Bowen was an Irish-born author, but she did her literary activities within a cultural club in London called The Bloomsbury Group, which had its headquarters in the neighbourhood of the British Museum and whose most famous members were the writer Virginia Woolf and the economist John M. Keynes (whose main idea was that the government had to intervene in the economy to correct the bad effects of the capitalism).

She was born in Dublin in 1899 and spend her childhood in a big country house with a large park. Her family belonged to the Anglo-Irish class that had dominated Ireland for centuries. Her novel The Last September deals with the situation of her class during the Independence War and the Irish Civil War. When she was seven, she went to live in England, where she studied. When she was 24, she married and published her first book, a collection of short stories, Encounters, that was a great success and encouraged her to go on writing. From then on, she wrote a book every year and a lot of book reviews.

Her stories are usually about the upper class, and she writes in a sophisticated style.

But Bowen isn’t very well-known here: in Catalan you aren’t going to find any translation, and there are only some of these books in Spanish. If you want to find her works in the library, click here.

The Demon Lover

The short story that we’re reading has autobiographic details because during the World War II she worked in London for the War Ministry. In the title we find the word demon; this word has the meaning of "evil spirit", but is also a variant of daimon, that only means "spirit". So, we don't know exactly if the lover is bad or not. The story is about a (happily?) married woman during the Blitz. She had a boyfriend in the WWI, but he was reported missing or dead, and she forgot him. But now, after 25 years, she got a suspicious letter. Could it be from her old boyfriend saying that he wants to fulfil the promise of marrying her? This boyfriend, what kind of person/being was/is he?

The Demon Lover: audio

The Demon Lover Study Guide

The Demon Lover: summary, characters, analysis

Presentation (minutes 00-3.30)


The Demon Lover, (but a very free and enlarged adaptation, minutes 00-52)


QUESTIONS

Which are the first hints of the Blitz?

Why do you think the woman is prosaic?

Why is a “tenseness preceding the fall of the rain” before she read the letter?

Why did she look at the mirror after reading the letter?

Why did she look at it “stealthily”?

Describe the protagonist.

What was the effect of the raining when he opened the chest?

What did she remember best from their last meeting (a physical mark)?

Why did she wish him already gone when they were saying goodbye?

Describe the boy.

Describe their last meeting.

Was she really in love with him? How do you know?

Tell us about Mrs Drover’s life after discovering her fiancée was missing or dead.

Why was she “unable to be with her back exposed to an empty room” and preferred to “sit against the wall”?

A crisis is mentioned: what crisis is it?

Why did she decide to take the objects she had come to fetch and not to run away immediately?

“She tugged at the knot she had tied wrong”: what is its connotation?

What are her feelings now about her old fiancée?

When she is in the point of leaving the house, what reassures her? And in the street? And what scared her before leaving?

Why does the narrator use this expression: “a hinterland of deserted streets”?

What was the appointed time?

What details suggested us that her old fiancée was the taxi driver?

Some people say the story means that “we are always tied to the past”. What is your opinion?


VOCABULARY

boarded up, contemptuous, bedspring, flicker, foresworn (forsworn), plight your troth, (without) stint, score, desuetude, rally, fumbling, to be in a mood, tread, creek, pant, issue, perambulator (pram)

Sunday Afternoon, by Elisabet Bowen

Elisabeth Bowen at the Wikipedia: here

 The BLITZ. https://commons.wikimedia.org/w/index.php?curid=4104942
 
Elisabeth Bowen was an Irish-born author, but she did her literary activities within a cultural club in London called The Bloomsbury Group, which had its headquarters in the neighbourhood of the British Museum and whose most famous members were the writer Virginia Woolf and the economist John M. Keynes (whose main idea was that the government had to intervene in the economy to correct the bad effects of the capitalism).

But Bowen isn’t very known here: in Catalan you aren’t going to find any translation, and there are only some of this books in Spanish. If you want to find her works in the library, click here.

The short story that we’re reading is a bit autobiographic, because she was born in Dublin and, although she went to live in England, she used to spend her holidays in Ireland where she had an estate and a house, and because during the World War II she worked in London for a Ministry that monitored the Irish neutrality.

Sunday Afternoon is the typical story in where it seems that nothing happens; but the thing is that what happens is about feelings, and this is harder to see and understand; so, I think that the story, although its language isn’t difficult, needs a slow pace and more than one reading.


SOME VOCABULARY YOU'LL HAVE TO CHECK

lawn, drawing, fanlight, twiddle, diversion, nonchalantly, preposterous, at any rate, pert, relinquish, ruthlessness, askance, last quarter (Mrs Versey beauty), besought (beseech), spell


PERHAPS THESE QUESTIONS WILL HELP YOU TO UNDERSTAND DE TEXT.

Who was Mrs Versey and what was her relationship with Henry?
Why, in your opinion, does Ria think that Maria wants to go to London?
What is the relationship between Maria and Mrs Versey?
Why does Ronald Cuffe think Henry is a bit cynic?
Why do you think Maria looked at her wristwatch several times?
How do you know that Mrs Versey is a very rich woman?
Why does he call her “Miranda”? (Maybe the 'Miranda' in Shakespeare's The Tempest?)
What’s the “new number chained to your wrist”?


HAVE A LOOK AT THESE SENTENCES/PHRASES AND COMMENT THEM

“But nothing dreadful: we are already feeling a little sad”.
“The late May Sunday blazed, but was not warm.”
“The coldness had been admitted by none of the seven people.”
“They continued to master the coldness.”
“He was to tell a little, but not much.”
“… the aesthetic of living that he had got from them.”
“’Are the things there as shocking there as they say... or the are more shocking?’, he went on, with distaste.”
“The girl... seemed to belong to everyone there.”
“This outrage... will not have literature.”
“Their position was, he saw, more difficult than his own.”
“Screen of lilac/Another cold puff came through the lilac.”
“You had lost everything. But that cannot be true!”
“You live with nothing, for ever. Can you really feel that that is life?”
“This little bit of destruction was watched by the older people with fascination.”
“’They are frightened someone would miss the bus and come back.’”
“’How weak you are!’” (said Maria)
“I can drive a car.” (said Maria)
“We shall be nothing but brutes.”
“You are only inside their spell.”
“The trouble with you is, you’re half old.”


POSSIBLE TOPICS TO DEBATE:

-Gap between generations (you can see three in the story)
-Wars and desertion
-When can/must you be a pacifist?