Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Funny Little Snake, by Tessa Hadley

Funny Little Snake in The New Yorker

SUMMARY

Gil (or Gilbert) a 50-year-old history professor, divorced and remarried, feels his duty to invite her only child, a 9-year-old daughter with his first wife and whom he hasn’t seen for 5 years, to spend a few days with him and his new young wife, Valerie, in their house in the north of England, away from London, where his ex-wife lives.

Gil drives to pick up his daughter Robyn, but then, once he’s at home, leaves her to the absolute care of his wife, with the excuse of too much work. Valerie, who didn’t know anything about her nor about children in general, can see now that Robyn is a poor very underdeveloped shy child and is puzzled about how to deal with her. But she tries to do her best.

The day to take her back to her mother arrives, and Gil again, with the excuse of too much work, asks Valerie to do the errand and take the girl back to London by train, and that isn’t a short trip.

So to London they go. There Valerie discovers what kind of person is Marise, Robyn’s mother: a sophisticated ex-hippie who is living with a much younger musician, Jamie, and who doesn’t know her anything about the duties of a parent. Now Valerie understands why the girl is so immature in body and mind.

Valerie has to spend the night at her mother’s intending to go back home the next day, but the next day is snowing, and the trains aren’t working very well, so she has to wait in London. She doesn’t like being with her mother and doesn’t know what to do in the meanwhile. She goes for a walk, and her steps, or her tube, takes her unconsciously to Marise’s. Not knowing why and how, now she’s standing near the house. Robyn is looking out of the window and, after a while, sees Valerie and starts to wave frantically at her. Suddenly, Valerie is thinking about rescuing her.

But we aren’t going to be spoilers…
Is she really going to try and rescue her? What will Marise say and do? What about Jamie? And Gil, would he like Valerie’s idea?

QUESTIONS

How does the narrator show that Robyn is a defenceless child?

Is there any irony in the character’s names? Robyn, Valerie, Gil (Gilbert) Hope, Marise, Jamie…

What kind of relationship is there between Gil and Valerie? How do you know?

And with Marise? Why did they get married, and why did they separate? Why does Gil hate Marise so much now?

Do you think it’s possible to be leftist in politics and traditional or rightist in personal questions?

Gil married two uneducated wives: Why do you think he did so, being himself so educated?

What do you think about this: is a self-made man more or less tolerant with people who haven’t been able to go up in life?

What does Gil think about his mother? And Valerie about hers?

What kind of toys did Robyn have? What games did she play?

In your opinion, why does Gil talks about himself in the third person when he’s asking for a favour to Valerie?

According to Valerie, “important men had to be selfish in order to get ahead”. What is your point of view about this?

What are the differences between sitting room and drawing room? And about tea (in the afternoon / evening) and supper or dinner?

Why do you think Marise and Jamie are partners? Is there love between them?

Does Marise love her child? How do you know?

Do you think Valerie has different manners with Gil when she’s at home from when she’s at Marise’s?

What is the relation of the title with the story?

What is the symbolic meaning of the “stuffed birds and that horse” at Marise’s?

What is the meaning of “Gilbert sitting there steering along in the little cockpit”?

Does the snow and the end of the story work as a symbol? What symbol?

Why, according to your view, does Valerie go to rescue Robyn? And why does Jamie help her? Why does Robyn want to get away with Valerie?
In your opinion, what is going to happen when Valerie gets home with Robyn? How is Gil going to react?
The last sentence says: “Just for the moment, though, the child was inconsolable”? Why was she so?

Another summary

Going Up in the World, by Graham Swift

Going Up in the World
The story tells us about the lives of two friends, Charles Yates and Don Abbot, about their friendship, their partnership in business of cleaning windows in skyscrapers and how do they improve their status and their lifestyles. Now that they are nearly sixty, are they happy with their lives. The path they have followed, is it worthy of their effort? 

QUESTIONS

-According to the narrator, Charles Yates is a toff’s name. What do you know about names? Did you find anything curious about your name? Do you have prejudices about names? How did you choose your children’s name? Would you like to change your name? Do you celebrate your name’s day?

-What do you know about these places: Wapping, Blackheath…? In the story, they mention “cross the river”. What is the meaning of this phrase for the Londoners? They say it’s a “good move”.

-They play nine holes: Do you play any sport? Do you think that a sport defines the character of a person, that is, according to one’s personality there is a different sport for them?

-There was a time when everybody wore a chain round their neck, and now we consider it out of fashion. How does fashion change our minds?

-There are three generations of jobs in the story: docker, window cleaner (self-employed), liberal profession. What is it different between our jobs and our parents’ jobs? And what about next generation?

-What do you think about boxing? Do you think it should be banned, or banned in the Olympic Games, at least?

-Describe Charles Yates (appearance and personality)

-Describe Don’s character.

-Talk about Charles’s jobs.

-In the story, they say he can climb like a monkey. Do you have vertigo? What do you know about people who don’t feel vertigo?

-They mention something about “smiling differently”. What can be its meaning? Sometimes you cry when you are very happy. Is it possible to laugh when you are very sad?

-What is the double meaning of the title?

-At the end of the story, there’s a mysterious phrase: “whole fucking world”. What is the meaning of this in relation with the story? What is for you the final idea of the story?

 

VOCABULARY

toff, crisp bright, heath, brow, nine holes, sloppy, docker, chunky, nipper, bantamweight, oil rig, roofer, steeplejack, girders, giddiness, birdman, clincher, sprees, cuddling up, stashed, twigged, hunch, wheeler-dealer, muck about, contraptions, gentry, take your pick, barrow boys, whoosh, ref, cumbersome, lumbering, easy-peasy, tingle      



Fleet-Footed Hester, by George Gissing



George Gissing at the Wikipedia: click here

George Gissing, The Guardian: click here

Fleet-Footed Hester: review

Fleet-Footed Hester: summary

George Gissing on feminism: click here
















Presentation, by Argemir Gonzàlez

Biography

George Robert Gissing was born on 22nd November 1857 in Wakefield, Yorkshire. He died on 28th December 1903 in Saint-Jean-de-Luz (France). He was the eldest of five children of Thomas Waller Gissing, who ran a chemist's shop, and Margaret.

Gissing was educated at Back Lane School in Wakefield, where he was a diligent and enthusiastic student. His serious interest in books began at the age of ten when he read The Old Curiosity Shop by Charles Dickens. Gissing's father died when he was 12 years old, and he and his brothers were sent to the Lindow Grove School at Alderley Edge in Cheshire, where he was a solitary student who studied hard. In 1872, after an exceptional performance in the Oxford Local Examinations, Gissing won a scholarship to Owens College, forerunner of the University of Manchester. There he continued his intense studies, and won many prizes, including the Poem Prize in 1873 and the Shakespeare scholarship in 1875.

His academic career ended in disgrace when he ran short of money and stole from his fellow students. The college hired a detective to investigate the thefts and Gissing was prosecuted, found guilty, expelled and sentenced to a month's hard labour in Belle Vue Gaol, Manchester, in 1876.

In Manchester, he also began a relationship with Marianne "Nell" Harrison, a prostitute, afterwards his wife.

He travelled to the USA with Marianne Harrison in 1876 but lived in poverty and returned the following year then he worked as a teacher. He began to publish in 1880 but without success until 1891 when he published New Grub Street, a novel about literary bohemian life. That novel and The Odd Women are considered his best works.

His style follows the style of Dickens and Gaskell on social content. In 1898 published his study Charles Dickens: A Critical Study.

Critical review

Fleet-Footed Hester, by George Gissing, is the story of a young woman, immature and capricious, and of a not so young man, of weak character and jealous despite being physically strong.

Fleet-Footed Hester is a story, in my opinion, lineal, plain and not credible, halfway between Victorian morals and a reflection about the female condition.

The end is disappointing. The young and free Hester saves her lover John Rayner doing what she can do best (that is, running), but only to deliver herself to a jealous, impoverished, alcoholised man with whom she never will have what she likes most: running races.

The message of George Gissing is clear: the woman must sacrifice her freedom because it is the reason for the disgrace and misery of a man. 


QUESTIONS

What is Private Eye?
What is Grub Street?
 
Talk about the characters: appearance, personality, job...
John
Hester
Albert
Mrs Heffron
Hester’s father. (He was “married without leave”. What does it mean?)
 
What was John’s opinion about Hester’s first job? What kind of occupation did he want for her?
What was John’s opinion about Hester running races?
John and Hester’s different kind of love: what are these two kinds?
Tell us John and Hester first quarrel.
Tell us John and Hester second quarrel.
How did Hester change after the second quarrel?
How did John change along the two years when didn’t see Hester?
Explain Albert and Hester’s courtship and their breaking up.
Last but one Hester’s race.
Mrs Heffron and Hester’s last meeting.
What was Hester’s proposal when she met John at the station?
What does the last sentence (“the red rift of the eastern sky broadened into day”) mean? What does it symbolize?

 

THEME TO DEBATE

I think that Gissing’s story is useful to debate some topics about feminism, moreover when he wrote a novel about the situation of the women in Victorian (or puritan and traditionalist) society.

So, what do you thing about woman and hobbies (sports, DIY, etc.). Don’t you think that there is a vindication, from women, to do “men” hobbies, but not the other way round?

For the only reason of being a woman, you are discriminated? (E.g. I’m thinking about Mrs Thatcher)

What is your opinion about positive discrimination (that is: in equal conditions, to give preference to a member of a minority or to a member of an unfavoured group)?

Do you think men can /must be involved in the debate about women issues?

VOCABULARY

wiry, foreman, stay, paper-chase, woo, plight one’s troth, stinted, bearing, ploughboy, wages, wrath, pickles, fit of temper, comely, shun, lithe, thew, measure one’s length on the pavement, toss, copper, stich, bale, traps


CLERIHEWS

As you could see on the brief introduction before the story, they mention a kind of poem called clerihew. It was invented by Edmund Clerihew Bentley (1875-1956), who was a humorous English writer. It's a comical biographical poem very easy to create.The first line has to contain the name of the person you're telling something about. It has to have four lines of any meter you like, and with the rhyme structure AABB, so they are useful to learn how to pronounce some words, though sometimes the rhymes can be forced. Here you have some exemples:

Edmund Clerihew Bentley

Sir Christopher Wren
Said, “I’m going to dine with some men.
If anyone calls,
Say I’m designing St. Paul’s.”

***

It was a weakness of Voltaire’s
To forget to say his prayers,
And one which to his shame
He never overcame.

***

Dante Alighieri
Seldom troubled a dairy.
He wrote the Inferno
On a bottle of Pernod.

***

Daniel Defoe
Lived a long time ago.
He had nothing to do, so
He wrote Robinson Crusoe.

***

Edgar Allan Poe
Was passionately fond of roe.
He always liked to chew some,
When writing something gruesome.

***

John Stuart Mill,
By a mighty effort of will,
Overcame his natural bonhomie
And wrote ‘Principles of Economy.’

***

The art of Biography
Is different from Geography.
Geography is about maps,
But Biography is about chaps.

G. K. Chesterton

The novels of Jane Austen
Are the ones to get lost in.
I wonder if Labby
Has read Northanger Abbey

(Labby was an English journalist.)

***

Richard Brinsley Sheridan
Is now a buried one.
He was not a Goth, much less a Vandal,
As he proved by writing The School for Scandal.

***

Solomon
You can scarcely write less than a column on.
His very song
Was long.

***

The Spanish people think Cervantes
Equal to half a dozen Dantes;
An opinion resented most bitterly
By the people of Italy.

W. H. Auden

Sir Henry Rider Haggard
Was completely staggered
When his bride-to-be
Announced, “I am She!”

***

John Milton
Never stayed in a Hilton
Hotel,
Which was just as well.

***

When Karl Marx
Found the phrase ‘financial sharks,’
He sang a Te Deum
In the British Museum.

***

When the young Kant
Was told to kiss his aunt,
He obeyed the Categorical Must
But only just.

***

Lord Byron
Once succumbed to a Siren:
His flesh was weak,
Hers Greek.

***

Oscar Wilde
Was greatly beguiled,
When into the Café Royal walked Bosie
Wearing a tea-cosy.

***

Thomas Hardy
Was never tardy
When summoned to fulfill
The Immanent Will.

***

William Blake
Found Newton hard to take,
And was not enormously taken
With Francis Bacon.

***

Henry Taylor

Alexander Graham Bell
has shuffled off this mobile cell.
He’s not talking any more
But he has a lot to answer for.

***

John Dryden
wasn’t the sort you’d confide in;
there was no limit to the secrets he’d tell
in lyrics set to music by Henry Purcell.

***

William Wordsworth
considered four-and-twenty birds worth
a walk as far as the banks of the Wye.
There are some things money just can’t buy. 

 George Szirtes

e e cummings’
unpublished hummings
will shortly be published in a book –
just l(oo)k

***
Rene Magritte
liked his rum neat
and would never think of adding Cola.
He’d sooner eat his bowler.

***

Pierre-August Renoir
simply adored Film Noir
and kept nagging at Jean
“Make your old dad a Film Noir! Aw, go on!”

***

Claude Monet
resisted all forms of donné.
When someone suggested he should paint the cathedral at Rheims,
he replied, “In your dreams!”

***

George Braque
decided to pickle a shark
as a kind of tableau,
but then left it to Pablo.

***

J M W Turner
liked a nice little earner
and was untroubled by greed,
painting Rain, Steam AND Speed.

Mark Granier 

Trump
was always at home on the stump,
while the White House, unfortunately,
is more of a tree.

Derek Mahon

The Picture of Dorian Gray
Is still read today;
While other Victorian novels degenerate in the attic,
Its reputation remains static.

***

“Strange Meeting”

Wilfred Owen
And Elizabeth Bowen
Never met;
And yet… 

Sex Lives of Poets by Dick Davis

Did Shakespeare get more joy
From a boy as a girl or a girl as a boy?
Whatever: he liked the nice surprises
Engendered by disguises.

***

Alexander Pope
Hadn’t a hope
With Lady Mary Wortley Montague:
“When it comes to inches,” she said, “you certainly want a few.”

***

When it comes to Christina Rossetti
And a sex life  . . . well, not to get petty
There wasn’t any, or at least none that was visible.
This clerihew’s sad, not risible.

Michael Curl

There’s no disputin’
that Grigori Rasputin
had more will to power
than Schopenhauer.

Dean W. Zimmerman

Jesus Christ
Was sliced and diced,
And punched with holes
To save our souls.

Paul Ingram

Ludwig Wittgenstein
Hardly ever went out to dine.
Be the menu never so abundant,
He found “green leafy lettuce salad” tautological and redundant.

Paul Horgan

Luchino Visconti
Saw ‘The Full Monty’
Which he thought was vile,
Bar Robert Carlyle.

Ian Duhig

 ‘Ingmar’,
said his wife, ‘I wish you would sing more,
not just sit there playing chess against Death and being glum’.
But Ingmar kept shtum.

Katy Evans-Bush

Cary Grant
loved his aunt.
When he was alone,
He would try her eau de cologne.



D'accord, Baby, by Hanif Kureishi

Hanif Kureishi at the Wikipedia: click here 

A short review of the story: click here

A short review of the book: click here

A longer and more critial review of the book: click here

Some films:

 
























From the story: restaurant Le Caprice:

"The classic St James’s restaurant, Le Caprice is close to the Royal Academy, Burlington Arcade, Bond Street and moments from Piccadilly, Green Park, Mayfair and the West End. A full à la carte menu is served from midday throughout the afternoon, featuring classic British, European and American favourites, prepared with carefully sourced seasonal game, meat and fish, and boasting a renowned list of desserts."  44 € - 67 €


 

 

SITUATIONS / TOPICS (quotations from the text)

Maoist intellectual

Le Caprice

Emerson's:...

How could a man have come to the middle...

... and went into the shower

Soho

Remembrance of Things Past

West London

off-licence

Paris in those days

The food was good...

It was already too late

He thought of a time in New York...

A black eye...

Will you tell your father I saw you?

...life could not be grasped, but lived

 

 VOCABULARY

clear out, viciously, be eager, flinch, quizzical, read, make it to, cuckold, cool, meaner, coup, betsit, odour, fittings, raffish,