Showing posts with label ghost. Show all posts
Showing posts with label ghost. Show all posts

The Demon Lover, by Elizabeth Bowen


(We had a previous entry about Bowen, so I have copied some paragraphs.)

Elisabeth Bowen was an Irish-born author, but she did her literary activities within a cultural club in London called The Bloomsbury Group, which had its headquarters in the neighbourhood of the British Museum and whose most famous members were the writer Virginia Woolf and the economist John M. Keynes (whose main idea was that the government had to intervene in the economy to correct the bad effects of the capitalism).

She was born in Dublin in 1899 and spend her childhood in a big country house with a large park. Her family belonged to the Anglo-Irish class that had dominated Ireland for centuries. Her novel The Last September deals with the situation of her class during the Independence War and the Irish Civil War. When she was seven, she went to live in England, where she studied. When she was 24, she married and published her first book, a collection of short stories, Encounters, that was a great success and encouraged her to go on writing. From then on, she wrote a book every year and a lot of book reviews.

Her stories are usually about the upper class, and she writes in a sophisticated style.

But Bowen isn’t very well-known here: in Catalan you aren’t going to find any translation, and there are only some of these books in Spanish. If you want to find her works in the library, click here.

The Demon Lover

The short story that we’re reading has autobiographic details because during the World War II she worked in London for the War Ministry. In the title we find the word demon; this word has the meaning of "evil spirit", but is also a variant of daimon, that only means "spirit". So, we don't know exactly if the lover is bad or not. The story is about a (happily?) married woman during the Blitz. She had a boyfriend in the WWI, but he was reported missing or dead, and she forgot him. But now, after 25 years, she got a suspicious letter. Could it be from her old boyfriend saying that he wants to fulfil the promise of marrying her? This boyfriend, what kind of person/being was/is he?

The Demon Lover: audio

The Demon Lover Study Guide

The Demon Lover: summary, characters, analysis

Presentation (minutes 00-3.30)


The Demon Lover, (but a very free and enlarged adaptation, minutes 00-52)


QUESTIONS

Which are the first hints of the Blitz?

Why do you think the woman is prosaic?

Why is a “tenseness preceding the fall of the rain” before she read the letter?

Why did she look at the mirror after reading the letter?

Why did she look at it “stealthily”?

Describe the protagonist.

What was the effect of the raining when he opened the chest?

What did she remember best from their last meeting (a physical mark)?

Why did she wish him already gone when they were saying goodbye?

Describe the boy.

Describe their last meeting.

Was she really in love with him? How do you know?

Tell us about Mrs Drover’s life after discovering her fiancée was missing or dead.

Why was she “unable to be with her back exposed to an empty room” and preferred to “sit against the wall”?

A crisis is mentioned: what crisis is it?

Why did she decide to take the objects she had come to fetch and not to run away immediately?

“She tugged at the knot she had tied wrong”: what is its connotation?

What are her feelings now about her old fiancée?

When she is in the point of leaving the house, what reassures her? And in the street? And what scared her before leaving?

Why does the narrator use this expression: “a hinterland of deserted streets”?

What was the appointed time?

What details suggested us that her old fiancée was the taxi driver?

Some people say the story means that “we are always tied to the past”. What is your opinion?


VOCABULARY

boarded up, contemptuous, bedspring, flicker, foresworn (forsworn), plight your troth, (without) stint, score, desuetude, rally, fumbling, to be in a mood, tread, creek, pant, issue, perambulator (pram)

The Executor, by Muriel Spark



Muriel Spark at the Wikipedia: click here

The Executor: review

Interview: click here

Some summaries of her works: click here






The Prime of Miss Jean Brodie:


The driver's seat



MURIEL SPARK

Muriel Spark was born in 1918 in Edinburgh.

She had some education but she didn’t go to university. She worked as a secretary in a department store.

When she was 19 she got engaged to Sidney Spark, 13 years older than herself and together they went to Zimbabwe (then Southern Rhodesia), where they got married.

When she was 20 she had a son and soon after she discovered her husband was maniac depressive. They put their son in a convent school, and she left her husband and went back to Great Britain, where she worked for the secret service during the WWII. She only took care of her son sending him some money regularly, so when he went to England he was brought up by his grandparents in Scotland.

Muriel lived in London, New York and finally, when she was 50, near Rome, where she met the artist and sculptor Penelope Jardine. Together they settled in Tuscany, where they lived ever after. Some people believe they were lesbians, but all their friends and themselves always denied it.

Muriel died in 2006, when she was 88, and she left all her properties to Penelope, and nothing to her son. She had a strained relationship with him, because he decided to be a practicing orthodox Jewish, as his grandfather was a Jewish. But Muriel, who was brought up in the Presbyterian religion, converted to Catholicism when she began to write: she said religion was important to understand the human nature, and so for her writings.

She started to write during the WWII and she published her first novel, The Comforters, when she was 39. The novel dealt with the conversion to another religion.

Her most wellknown novel is The Prime of Miss Jean Brodie, published when she was 43. The star of the novel is a young teacher with different and new ideas about pedagogy, but working in a traditional school. There she has a group of six or seven girls that are her faithful pupils. The style is innovating because the narrative has a lot of flashbacks and flashforwards, and doesn’t follow a straight time line.

Other novels of hers are Robinson, Mememto Mori and Mandelbaum Gate. As you can imagine from the title, Robinson deals with three people stranded in a desert island after a plane accident. Mememto Mori is a kind of thriller where a circle of old people got recurrently an anonymous call with the mysterious message “remember you must die”; the question is to discover who phones these people and why. Mandelbaun Gate is situated in Israel at the moment of Adolf Eichmann's trial in Jerusalem and in an almost war situation between the Arabic world and Israel; the protagonist is a woman who’s looking for her boyfriend, an archaeologist working in Qumran.

The Prime of Miss Jean Brodie and The driver's seat were made into films.

Muriel Spark also wrote several short stories and essays.


THE EXECUTOR

The Executor has something of autobiographic, as Muriel Spark left all her literary material (like manuscripts and diaries) to a Scottish university at her death. In our story, a famous writer does a similar thing (and he’s also Scottish, like Muriel Spark).  There always has been a debate about using the life of one’s own to produce a literary artefact; some people are all the time looking for autobiographic elements in a work in a kind of morbid curiosity, and some other people can despise a work only for having these elements. I think that nobody can get rid of their own life, so it is almost impossible that it doesn’t impregnate all we do, all we make. I think the question is another one: is the writer’s life useful to make literary their work, or does the writer only want to tell us their life (which can be interesting or not)? In our case, our authoress makes profit of a life purpose of hers to create a short story, but with so much art that, although we know there is something of her life in there, we forget it almost immediately because the story takes us beyond the anecdote and very far away from it.

Susan Kyle is appointed executor of the literary work of a famous Scottish author. According to his last orders, she gives everything to an institution. But not exactly everything, because she cheats the institution keeping a manuscript of an unfinished novel (in order to finish it herself?, in order to sell it afterwards at a very high price?, for mere whim?). But somebody (or a ghost) knows about her doings and send intimidating messages to her on the manuscript about the novel and even about her private life. Is she going to finish the story herself? Is she going to destroy the manuscript and thus to get free from her persecutor or the spirit? Is she going to give it to the institution, at last? Are we going to know the end of the manuscript narrative? So read the story: I’m not going to be a spoiler!


QUESTIONS
 
What is Librium?
Explain the proverb “Still waters run deep” in the context.
Tell us something about Brueghel the Elder.
According to the writer himself, he was “a speck in the horizon” in the painting of modern literature. What did he want to mean?
 
Talk about the characters:
 
The writer
The narrator
The people from university
Elaine
Mrs Donalson
Jamie
Greta
 
Who are these and why are they mentioned?
 
Angus Wilson
Saul Bellow
Mary Whitelaw
Jonathan Brown
Mrs Thatcher
 
Where are the Pentland Hills?
What is the meaning of this expression: “I’m not the one to let the grass grow under my feet”?
What is the meaning of this phrase in context: “even though is only Nature”?
In the context, what is the problem with the words “lunch” and “dinner”?
What happens with the unfinished manuscript?
Summarize the unfinished novel.
How does the unfinished novel end?
What do you think is the meaning of the last inscription by the uncle’s handwriting?
 
VOCABULARY

die out, heading (n), shroud, filing (v), sheaf, sideboard, snoot, have somebody on, stoke, manse