Showing posts with label assault. Show all posts
Showing posts with label assault. Show all posts

The Little Governess, by Katherine Mansfield

SUMMARY 

This story deals with the naivety of a young woman and the lechery of a dirty old man who makes profit of her inexperience.

The protagonist, who has no name and so thus her innocence is highlighted, is a just graduated governess who travels from a British town to Munich to work as a tutor for a German family. She has never been abroad and, because of her ingenuousness, we can suppose she has neither been out nor away very often, and, as in the story there isn’t any mention of her family, we can think she has to be an orphan or an illegitimate daughter who has been raised in an institution and then sent to a boarding school, a case that wasn’t unusual in Great Britain in the 19th century and at the beginning of the 20th century.

The lady from the Governess Bureau who has found her a position in Augsburg, near Munich, gives her a lot of cautions to survive from all the dangers she is going to encounter during her trip. Perhaps this is the reason why the girl is afraid of everything and everybody. She is so afraid that she tends to behave clumsily to people she suspects they want to swindle or take advantage of her; but then, these people who have to serve her are even ruder.

On the ferry which crosses the English Channel, she accommodates in the cabin for women only and there she feels safe and happy. But when she arrives in France and has to take the train, the porter, or the station master, treats the poor girl very coarsely, and, when she doesn’t want to give him the tip, or pay the price he asks for, he takes his revenge leading a man to her carriage for Ladies Only and even stripping off the restrictive sign that would have protected her from male company.

However, the man in her carriage is old, extremely old, she believes; but he seems a very polite and respectable gentleman from Germany; we even know he has been a civil servant, and eventually our governess imagines that a man like him could have been her grandfather.

The little governess destination is a hotel in Munich where her employer, a wife’s doctor, is going to pick her up at six in the evening, and, as the train is arriving in the morning, the kind old man suggests her that would be interesting for her to pay a visit to the beautiful city, and he offers her to be her cicerone. The young woman has some doubts, but eventually accepts.

At the hotel, the girl again behaves clumsily, this time with the waiter, when she doesn’t want to tip him. Moreover, this waiter suspects there is an illicit relationship between her and the old man.

So the girl and the old man go round Munich to see the sights. The man is perhaps a little bit too attentive because he buys her some sausages, pays for her lunch, offers his umbrella and his arm when it’s raining…

When it’s time (and even late) to go back to the hotel to meet her employer, the old man insists her to show his little flat, telling her that she doesn’t have to worry because there is a housekeeper. But when she goes in, there’s nobody in his bachelor’s house; there he offers her some wine and asks her to give him a kiss; and, as she denies it, he assaults her and tries to steal a kiss in the mouth, and really he gets it. The girl defends herself, gets free and runs away from the flat. Now she has discovered the old man’s true nature.

In the street, she asks a policeman for a tram to the station, where her hotel is, but she doesn’t say anything about the assault. On the tram, although everybody can see she is in trouble, nobody offers to help her. In the end, she gets to the hotel and asks for the lady that had to come to pick her up. But the girl has arrived too late, and the lady, being tired of waiting, has gone away.

And now the waiter has had his revenge, because he has told the lady that the girl had gone with a suspicious man. Moreover, he doesn’t tell the girl if the woman is going to come back to pick her up the next day, so the governess is in a big trouble: she doesn’t know if the lady is going to keep the position for her. What is she going to do now?

 

As you can see, this story is very different from the others we have read by Katherine Mansfield: there is a continuum and a crescendo in the narrative, and we foresee that a disgrace is going to fall down upon the girl. We can see the famous cliché about appearances being deceptive. We can also find a kind of morality in the story: don’t trust anybody because they can be a wolf in sheep’s clothing. In fact, this story is a Mansfield version of the Red Riding Hood, the famous tale for children. However, the primitive tale ended badly, like Mansfield’s, very differently from the modern versions whose intention is entertaining children without frightening them. So, the question will be: what kind of truths must we tell our children: the real cruel ones or the sweet and perhaps false ones?

 

QUESTIONS

-Do you agree with people who don’t want to take their children to a public school? Do you think it’s better a public education than a private one?

-“It’s better to mistrust people at first sight than to trust them.” Is it your opinion too? Why?

-Do you have a point of view about these “ladies’ compartments”? Do you think they are necessary to protect women?

-The way she treated the porter (and the waiter at the hotel), was it a bit haughty?

-Are her fears for real, or only fancies of an inexpert woman?

-“Most old men were so horrid.” According to you, is this most young people’s opinion?

-When and why does she start to trust the old man?

-“She felt she had known him for years.” When do you say this about a new acquittance?

-“His hand shook, and the wine spilled over the tray.” What happened exactly to the old man in his flat?

-Why the tram was “full of old men with twitching knees”, according to what the little governess saw?

-Is this a moral story? What is its morality?

 

VOCABULARY

porter, rub up, tucked up, pink-sprigged, pounced, cinders, flicking, spick and span, doddery, tangerines, pouted, dimpled, attar, cupped, swooped 

AUDIOBOOK

REVIEW

ANALYSIS

Little Red Riding Hood, by Roald Dahl

Freeway (a cinema version of the tale)

Susanna and the Elders

Seraglio, by Graham Swift

SERAGLIO, PLOT AND COMMENTARY, by Núria Lecina

This short story tells us about the relationship of a couple. We don’t know their names.  Maybe the storyteller, who is the husband, doesn’t think it is necessary. He explains the facts and his thoughts.  Neither, we never know his wife’s feelings in this experience.  They are on holidays in Istanbul, but they could be anywhere, their relationship would be the same.

They decided to travel to Istanbul, a place really beautiful and interesting, because they wanted something exotic, they needed holidays, but different. “A place where you can save your ordinary life”. They look for an escape. They feel that have suffered, and now they are in convalescence, so that’s why they want an exotic and special place. But this way they won’t solve their problems. Sooner or later, they’ll return.

Thanks to the husband’s narration, who has a tourist’s book, we know a lot of aspects about the exotic Istanbul. For instance, what is the Seraglio, the place where the Sultan had all his women or concubines.

He also defines what is his wife like, both physically and psychologically. And what is the couple’s life like.

It is a rich text in descriptions, full of adjectives that help the reader to understand and imagine the situation.

One day in these holidays, when the husband arrives to the hotel after he has done a photographic report, he finds his wife laying on the bed crying. She explains to him that a hotel’s worker has come to their room to repair the heater, and when he had finished, he approached her and touched her. The explanations aren’t much clearer, neither what they can do to clear up the incident. At this moment, the situation becomes tense. Is she the victim? Is he guilty because he wasn’t there? Is it necessary to inform against? What is the meaning of “touched her”?  Did she use this fact to blame him? Is he being insensitive? …

This fact makes the husband think about how they can have arrived to this way of living, and then he tells us about their past. Their wedding was seven years ago. They worked together. He immediately fell in love with her. Soon they got married.

He, practising an odd philosophy, tested his love. He had a lover to check that really the woman who loved was his wife. This adventure, like a secret Seraglio, finished when the wife was pregnant. But soon after, she had a miscarriage, and it all got ruined. Perhaps his cheating on her was also an addition to their crisis?

Between them, it was installed the silence, a common guilt, the incapacity to talk about the loss, the incapacity to talk about the causes of everything and about what they could do to get out of their mourning.  And so, the solution was the escape, covering up what hurt them, the loss.

From that moment, rewards are the most important thing: theatre, restaurants, concerts, exhibitions, and expensive holidays.

I think the last sentence sums it up well: “So, one doesn’t have to cross to the other continent, doesn’t have to know what really happened”.

Until when?


QUESTIONS

-What do you know about the history of Istanbul?

-A cruel custom is mentioned. Do you know about similar customs related to power?

-Beauty is sometimes terrible: that is what we call sublime. Do you know any examples of this?

-What do you think of the famous cliché “Men seem to have the power, but who really gives orders is his wife”?

-What do you know about Oman II?

-“On holiday, you want to be spared ordinary life”. What do you think of the tourists lying on the beach, while shipwrecked immigrant people that have come out of a small boat lay on the beach?

-Do you think clichés in the story about Turkey are close to reality? Have you seen “Midnight Express” or “The Turkish Lover”?

-What do you know about Florence Nightingale?

-Where is Surrey in England? Do you know anything about it?

-How fond of taking photos are you? How do you like taking them?

-Do you think something really happened between the porter and the wife? How do you know?

-According to your opinion, are police officers competent enough to attend assaulted women?

-“But I have wanted this too.” What does it mean? Page 4, line 11.

-Was he really in love with his wife? How do you know?

-What do you think of the saying “Out of sight, out of mind”?

-Can you comment the sentence “Men want power over women in order to be able to let women take this power from them”?

-Do you usually discuss a film / play after seeing it with your friends / partner?

-Who killed their baby? Did he have a reason to feel guilty, and thus cause the miscarriage? What reason could be?

-What is the best way to narrate an embarrassing / delicate situation?

-What do you think is the meaning of her holding “one hand, closed, to her throat”?

-Having in mind their circumstances (abroad, tourists, eastern country…), what would you have done in her situation, talk to the manager, go to the police, go to your embassy…?

-Why did the author mention that the radiator was “distinctly warmer”?

-Why in the plane “other people glanced at his wife”?

-Do you think their marriage will go on?

 

VOCABULARY

sherbet, rent, squalls, hailstorms, bloated, spattered, Elastoplast, cripples, chequers, bled, dig, flawless, complexion, fastidious, tends, interfered, elicit, bluffly, blowing up, sensible, cut out, consultant designer, crushed, make believe, conscripted, heater, siege, scornful, issue, scoff, linen, gauge, ledge, reprieve, stay of execution, plane trees