Conversartion with Cynthia Ozick
A Book Club meeting about The Shawl
BIOGRAPHY AND SUMMARY,
by Teresa Creixell
Cynthia Ozick is an American short story
writer, novelist, and essayist.
She was born in New York City on April 17, 1928, and raised in the Bronx. Her parents were Jewish immigrants from Russia and owned a pharmacy.
She attended Ohio University where she completed her bachelor’s degree in English literature, focusing on the novels by Henry James.
She was married to Bernard Hallote, a lawyer, until his death in 2017. Their daughter, Raquel Hallote, directs a Jewish studies program at SUNY Purchase.
Her literary works have been acquired by Yale University.
Ozick’s fiction and essays often deal with the lives of American Jews, but she also writes about politics, history, and literary criticism. She has also written and translated poetry.
The Holocaust is also a dominant theme. For example, in Who Owns Anne Frank? she writes that the true meaning of the diary has been distorted.
She has been nominated for the Nobel Prize.
The Shawl
The Shawl is
an unforgettable and heartbreaking short story published in the New Yorker in
1980. Ozick later included it in a novel about the main character, Rosa, in a
single volume also titled The Shawl.
In later years, Ozick said that her short story was not a document, it was an imagination.
The story is written in the third person and is full of metaphors.
SUMMARY
The story takes place during the Holocaust.
A mother, Rosa, was walking with her baby, Magda, between her breasts, and her 14-year-old niece Stella. They were very hungry and were in a line of prisoners heading towards a Nazi concentration camp. The soldiers did not know that Magda existed.
Rosa breastfeeds her daughter with the little milk she has and wraps her close to her in her shawl. Stella is jealous of Magda’s shawl; she also wants to be protected.
Rosa is no longer hungry, she feels as if she is fainting, in a trance.
She looks at her daughter inside the shawl, her fair skin is so different from hers, her blue eyes and yellow hair like the star embroidered on the coat. She looks “Aryan”.
She would like to leave Magda in one of the villages they pass through, but she cannot move beyond the line or she will be shot, and she does not know if a woman would really take Magda. It’s not worth the risk.
Rosa no longer has milk, but the shawl is magical, it can feed Magda for 3 days and 3 nights. Magda doesn’t move, she’s alive but she’s very still and quiet.
At 15 months, Magda knows how to walk, and her mother knows that the soldiers will soon discover her, but it’s Stella who takes off her shawl when Magda was still in the barracks, where her mother had left her.
From outside, Rosa sees her daughter walking around looking for the shawl, and Magda shouts “maa..”
Rosa is scared, but at the same time happy because she hears her voice ―she thought she was mute.
The mother gets the shawl, Stella was cold and had covered herself with it.
She goes out to the square and, in the most tragic moment of the story, Rosa sees how, far away, a soldier throws her daughter against the electric fence. The girl is shouting “mama!”
Rosa puts the shawl in her mouth to suppress her own cries.
She was born in New York City on April 17, 1928, and raised in the Bronx. Her parents were Jewish immigrants from Russia and owned a pharmacy.
She attended Ohio University where she completed her bachelor’s degree in English literature, focusing on the novels by Henry James.
She was married to Bernard Hallote, a lawyer, until his death in 2017. Their daughter, Raquel Hallote, directs a Jewish studies program at SUNY Purchase.
Her literary works have been acquired by Yale University.
Ozick’s fiction and essays often deal with the lives of American Jews, but she also writes about politics, history, and literary criticism. She has also written and translated poetry.
The Holocaust is also a dominant theme. For example, in Who Owns Anne Frank? she writes that the true meaning of the diary has been distorted.
She has been nominated for the Nobel Prize.
In later years, Ozick said that her short story was not a document, it was an imagination.
The story is written in the third person and is full of metaphors.
A mother, Rosa, was walking with her baby, Magda, between her breasts, and her 14-year-old niece Stella. They were very hungry and were in a line of prisoners heading towards a Nazi concentration camp. The soldiers did not know that Magda existed.
Rosa breastfeeds her daughter with the little milk she has and wraps her close to her in her shawl. Stella is jealous of Magda’s shawl; she also wants to be protected.
Rosa is no longer hungry, she feels as if she is fainting, in a trance.
She looks at her daughter inside the shawl, her fair skin is so different from hers, her blue eyes and yellow hair like the star embroidered on the coat. She looks “Aryan”.
She would like to leave Magda in one of the villages they pass through, but she cannot move beyond the line or she will be shot, and she does not know if a woman would really take Magda. It’s not worth the risk.
Rosa no longer has milk, but the shawl is magical, it can feed Magda for 3 days and 3 nights. Magda doesn’t move, she’s alive but she’s very still and quiet.
At 15 months, Magda knows how to walk, and her mother knows that the soldiers will soon discover her, but it’s Stella who takes off her shawl when Magda was still in the barracks, where her mother had left her.
From outside, Rosa sees her daughter walking around looking for the shawl, and Magda shouts “maa..”
Rosa is scared, but at the same time happy because she hears her voice ―she thought she was mute.
The mother gets the shawl, Stella was cold and had covered herself with it.
She goes out to the square and, in the most tragic moment of the story, Rosa sees how, far away, a soldier throws her daughter against the electric fence. The girl is shouting “mama!”
Rosa puts the shawl in her mouth to suppress her own cries.
QUESTIONS
Besides the Holocaust, what other genocides do you know about? Tell us a bit of information about one you know.
In your opinion, how can the human being become a mass murderer?
What do you know about Hannah Arendt?
In your view, were all Germans guilty / responsible for the Nazi regime? Or only a part of them?
Is Stella responsible for Magda's death?
VOCABULARY
sore, ravenous, teetering, windingsm fled, gums, cinnamon, spindles, thighs, flopped, roll-call, devoid, windpipe, ash-stippled, lice, whimper, shins, turd-braids, whip, goblet, domino