Showing posts with label advice. Show all posts
Showing posts with label advice. Show all posts

The Untold Lie, by Sherwood Anderson

Christina's World, by Andrew Wyeth

 Summary and analysis

Excerpts of several analysis

Audiobook

BIOGRAPHY

Sherwood Anderson was born in 1876 in Camden, Ohio.
He was the third of seven children. His mother died in 1895 and his father started to be absent for weeks, so Sherwood had to take several jobs to support his family. Anderson's talent for selling was evident, and he was very successful in this type of business.
In 1898, he signed up for the United States Army, and his company was sent to the war in Cuba.
He met Cornelia Pratt, the daughter of a wealthy Ohio businessman, they got married and had three children, and he ran a number of different businesses.
In November 1912, Anderson had a mental breakdown, left his wife and their three children and decided to become a creative writer. He divorced Cornelia in 1916; later he got married to Mitchel, they divorced, and he got married again to Elizabeth; they divorced in 1932, and he got married again to Eleanor Copenhaver.
In 1916, Anderson's first book, Windy Mc Pherson's Son, was released, and in 1919, his most famous collection of short stories, Winesburg, Ohio. In 1923, he published Many Marriages, where he explored the new sexual freedom. Dark Laughter appeared in 1925, and it was his only bestseller.
Anderson died in Panama in 1941, during a cruise to South America. He was buried in Marion, Virginia. The writing on his gravestone reads "Life, Not Death, is the Great Adventure".

SUMMARY

Ray Pearson, an old man, and Hal Winters, a twenty-two-year old boy, were employees in Wills farm. They didn’t have a lot in common: Ray was married and had six children and Hal was single, although he had had some scrapes with women. Besides, Hal was considered a villain, an outlaw. He had two brothers, and was the worst of the three. People said he was “a chip off the old block”, because his father had fits of anger when he was drunk. His father died in a tragic accident on the rail tracks: being drunk, he drove his cart with two horses against an upcoming train, and they -cart, horses and driver- were ran over and got crushed to death. Hal was a good-for-nothing one; he had even robbed his father, and once, they had gone to the street to settle their differences with fists. 

But now he was working for Wims, because near Wims farm was a school, and he had a crush on the schoolteacher. Everybody thought that he would get the young woman in trouble.

As Ray was older than him and was married and had children, Hal decided to ask advice from him: he had got Nell, the teacher, in trouble, so what did he have to do? Did he have to marry her, or abandon her? You know there and then people's opinion about marriage was a kind of cliche: when a man got married he lost his freedom.

Hal didn’t give any answer because he didn’t know what to say to him. He went home thinking about the question. Walking there, he met his wife. Following her along the track, he experienced very opposed feelings: on one hand, he was absorbed by the beauty of the autumn landscape, and on the other, he felt a kind of rage against his sharp-featured, sharp-voiced wife who gave him sharping orders.

So Ray went on a little confused and felt again the beauty of the country. When he was young he also had got his wife in trouble, but he thought he didn’t cheat her, because she had wanted the same. Then, he remembered his projects of youth, his lost illusions…, but he also remembered his children clutching at him. However, for him at that moment, children were only “accidents of life”.

By now he knew the answer to Hal’s question: he shouldn’t pay for anything, he wasn’t the only one “guilty”, because what Hal had wanted, Nell also had. Ray had to prevent Hal from making the error of marrying, because marriage was a bondage. So he met Hal with his idea bursting out of him, but he got a shoking susprise when Hal told him he had already decided to marry Nell, because he knew she was no fool and she also wanted him.

And Ray Pearson had to laugh his head off. Of course, the piece of advice he had decided to tell Hal would have been a complete fraud... because he loved his familiar life.

And now perhaps we understand why the narrator says this isn’t the story of Windpeter Winters, nor the story of Hal Winter, but, although it doesn’t seem to be, the story of Ray Pearson.

Anderson has written the story just as if he was telling us a tale aloud, as ordinary people told stories sitting by the fire, full of digressions and without a straight linear time.


QUESTIONS
-Is marriage a bondage? Where does that idea come from? Is it a sexist idea?
-Is is possible a frienship between people of very different ages?
-To what extent is the saying "a chip off the old block" true?
-People say giving advice is very easy because it's free. In your view, what do we have to learn about giving and getting advice?

VOCABULARY
frame house, reprobate, raving, humdrum, devilment, husking, chapped, shocks, ear, puttering, chores,



Her First Ball, by Katherine Mansfield

 

AUDIOBOOK

SUMMARY, by Glòria Torner

This story that goes from innocence to maturity can be divided into four parts:

1. Before the ball. Is the cab her first partner of the ball?

Remembering her first experience, a young girl, named Leila, is about to attend her first ball escorted by their cousins Laura, Meg, Jose and Laurie. She is sitting into the cab, and she is so excited that she is looking everything as if it is waltzing because she feels like she is in the real ball thinking and imagining that her first real partner is the cab.

Leila is talking to their cousins because they are surprised that she is so nervous. She attends the ball with a feeling of great expectation because she is a country girl who has never been to a public ball. Their cousins, who know that Leila is naive and innocent, and they come from the city, and they already have some ball experiences, take care of her and protect her.

2. Before entering to the saloon

Leila and their cousins, the Sheridans, arrive at the drill hall. Laura is helping Leila to push to the noisy ladies’ room, where women are busy getting ready and making the last minutes adjustments.

From the door, Leila’s emotion and excitement is increasing with the beauty of the room with golden floors, red carpets, lights and the elegant atmosphere. How Leila’s perception of the ball is that of a dreamlike event! She begins to listen to the music, and the dance programs are passed out. And everything is ready.

3. During the ball

The men stand at the opposite side of the ballroom, and they appear in front of the ladies waiting for the dance to begin.  The music starts, and the men walk over to pick their respective partners.

The ball is on! When Meg cries “Ready Leila?”, Leila begins to dance. The feeling of joy during her first and second partner is clear. Leila enjoys very much dancing spontaneously, because she had learned to dance with girls at the boarding school, but with a male partner is fantastic!

But with the third partner, the fat man, the story changes, the climax starts. This is the part where the tension is the highest because this older man paints a bitter picture of Leila’s future. He is an experienced man who believes he recognizes Leila from another ball, but this is impossible. He begins to dance with an inexperienced Leila. This man manages to ruin her night with just one dance. At that moment, Leila doesn’t want to dance anymore because this old and fat man discourages her.

3. The end. The last dance.

Now we are reaching the outcome. The fourth and last partner, a young man, bows before her and she decides to dance with him. Now she begins to feel again the fantastic emotions she has felt before. With every turn and every glide, she forgets the bad sentences the old man has said to her before. Suddenly the ball seems beautiful again.

Some remarks.

I don’t know if the antagonist, “the fat man,” was trying to ruin the Leila’s night, or he wants simply to warn her.

I imagine this story is set in the early 1900s, in New Zealand.

From the folk stories as The Cinderella or The Red Shoes to some modern films as Billie Elliot I think this theme is a topic in literature, dance or movies.

Don’t you think we always remember our first ball?


QUESTIONS

-Do you remember your first ball? Or the first time you did something that only older people did?

-What keepsakes do you have?

-Do you think dancing has to be a social skill for everybody? I mean: do you think children have to learn it at school? Can everyone dance, or must everyone have the knack? Do you think black people have the art of dancing in their blood?

-Do you think they are things that they ever won’t be “feminist”, like dancing or weddings?

-Have you ever acted as a chaperone?

-What is the best way to not disappoint your desires?

-According to your opinion, why is the old man so cruel with the girl?

-With young people (or with people in general) is better to be optimist or to be pessimist?

-Do you think the main feature of young people is the ability to recover soon from blows? Do you have any examples?

 

VOCABULARY

bolster, bowled, keepsake, drill hall, dash, wraps, cotton, tassels, strung, gilt, under my wing, freckled, yore, calico, clutched, French chalk, Twinkletoes