Kate Atkinson at the Wikipedia: click here
Kate Atkinson website
Unseen Translation: review
Not the End of the World at the Wikipedia: click here
Not the End of the World (The Guardian): review
Kate Atkison and detective Jackson Brodie (Jason Isaacs)
Case Stories (trailer)
Presentation, by Dolors Rossell
Kate
Atkinson was born the 20th
of December 1951 in York, the setting for several of her books. An avid reader from
childhood, she studied English literature at the University of Dundee in Scotland, gaining her master's degree in 1974. She
remained at Dundee to study postmodern American fiction for a doctorate. Though
she was denied the degree because she failed at the viva (oral examination) stage,
her studies of the postmodern stylistic elements of American writers influenced
her later work.
Throughout
the late 1970s and for much of the ’80s, Atkinson held various jobs, from home help
to legal secretary and teacher, few of which enabled her to make use of her literary
interests.
In
1981–82, however, she took up short-story writing, finding the brief narrative form
an effective outlet for her creative energy.
Her
first novel, Behind the Scenes at the Museum, won the 1995 Whitbread Book
of the Year and went on to be a Sunday Time bestseller. Since then, she has
published another five novels, one play, and one collection of short stories. Her
work is often celebrated for its wit, wisdom and subtle characterisation, the surprising
twists and complicated plots, and often eccentric characters.
Atkinson
has criticised the media's coverage of her work – when she won the Whitbread award,
for example, it was the fact that she was a "single mother" who lived
outside London that received the most attention.
Atkinson
now lives in Edinburgh
UNSEEN
TRANSLATION
Not
the End of the World
is Kate Atkinson’s first collection of short stories mostly set in Scotland, and
is an experiment in magic realism (a style of fiction and literary genre that paints
a realistic view of the modern world while also adding magical elements, often deals
with the blurring of the lines between fantasy and reality). The collection was first published in 2002.
It
contains 12 loosely connected stories. Playful and profound, they explore the world
we think we know whilst offering a vision of another world which lurks just beneath
the surface of our consciousness. A world where the myths we have banished from
our lives are startlingly present and where imagination has the power to transform
reality. Each of these stories shows that when the worlds of material existence
and imagination collide, anything is possible.
Unseen Translation-summary:
Arthur
is a precocious eight-year-old boy whose mother is a glamour model Romney Wright,
a B-list celebrity more concerned with the state of her bank account than with her
son's development. His father is the lead singer of the rock band Boak. Then an
enigmatic young nanny named Missy introduces him to a world he never knew existed.
Arthur's father is on tour in Germany and Missy is to take Arthur to visit him.
Reviews:
“Following
the considerable success of her novels, what a pleasure it is to find Atkinson luxuriating
in her original genre. Let’s hope she enjoys her return to it so much that many
such inspired collections follow.”
I'm
willing to bet that Kate Atkinson didn't colour inside the lines when she was a
little girl. She's a born subversive, and her charming, alarming, crazy quilt fiction
catches the reader off-balance.
The
narratives are neither clearly connected nor totally distinct (Atkinson doesn't
do anything conventionally). Occasionally she recycles characters:
Usually
I prefer my "magical" and my "realism" well separated, like
carrots and peas on a dinner plate. But Atkinson is so adept and her narrative voice
so persuasive that after a while I began to enjoy the sudden shifts from ordinary
life to fairy tale, from anxiety to horror, from a bad day to the end of the world.
Unseen Translation
(some helpful images)
QUESTIONS
What
do you think it’s the relation between the title and the story?
Talk
about the characters in the story
Missy
Arthur
Arthur’s mother
Arthur’s father
Otto
What
do you know about these mythological beings?
Artemis
Athene
Aphrodite
Meander
Echo
Pan
Nymph
John
Berger, in his book Ways of Seeing, says museums and galleries are modern
churches because when you enter them you have to show respect, keep silence and
touch nothing. In the story they say that museums are soporific. What are your
experiences with museums?
What
do you know about these places?:
Natural History Museum
National Gallery
British Museum
V&A (Victoria and Albert Museum)
Missy
said that a bit of stoicism is good. What is stoicism?
Explain
the scene at the newsagents.
Tell
us about the different ideas they have to name the girl just born.
What
books do they buy for their flight to Munich?
What
happened at the Bayerisher Hof?
What
did Missy and Arthur do in Munich?
After
Munich, where did they want to go?
How
does the story end?
“The
list of worse is endless. That’s not grammatical, by the way.” What isn’t
grammatical?
“Fell
in love with the master who had a mad wife in the attic and who became
hideously disfigured in a fire?” What does it refer to?
VOCABULARY
stags,
avian, window shopping, tidal, stroll, smorgasbord, spoilt, mar, trouble-shooter,
NHS, SAS, grating, stage school, tabloid, stuck (stick), Camelot, whorl,
wanker, bet, elbowed, Charlotte Brontë’s Villette,
held off (hold off –the rain), hauling (haul), love-rat, cocoon, skim-read,
as high as a kite, dawdle, china, porcelain, round-the-clock, kraut, sated,
shot, nonchalant, primeval, scuffed, queue /kiú/, coiling (coil), tannoy
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