Showing posts with label suicide. Show all posts
Showing posts with label suicide. Show all posts

A Family Supper, by Kazuo Ishiguro

 

BIOGRAPHY & SUMMARY, by Aurora Ledesma

Kazuo Ishiguro was born in Nagasaki, Japan, on the 8th of November 1954. He went to live in Great Britain in 1960, when his father began to research at the National Institute of Oceanography, and was educated at a grammar school for boys in Surrey. As a boy, Kazuo enjoyed television, Westerns and spy stories, and wrote easily without entertaining any serious ambition of becoming a writer.

The great creative awakening of his adolescence came at the age of 13, when he discovered the songs of Bob Dylan. He spent the next years learning to play guitar, writing songs and studying the work of Dylan, Cohen... and other singer-songwriters of the time. After graduating in 1973, he took a year off to travel around the United States and Canada, and to make the round of record companies with demos of his songs, but these efforts were unsuccessful.

Although he still planned a career in music, Ishiguro studied literature and philosophy at the University of Kent in Canterbury. He was also employed as a community worker in Glasgow (1976), and after graduating, he moved to London. He supported himself by working in a homeless shelter in Notting Hill. While working at the shelter, he also met a young social worker, Lorna MacDougall. They fell in love and married in 1986.

Early novels

Ishiguro went to study creative writing at the University of East Anglia, in England. He began writing full-time following the success of his first novel, A Pale View of Hills (1982), which it is a first-person narrative of a Japanese widow living in England.  Ishiguro’s next novel was An Artist of the Floating World (1986). These two novels reflected on life and culture in post-World War II in Japan. However, for his next novel, he wanted to write for an international audience. So he chose an iconic British character known throughout the world: the English butler. The themes of guilt and regret are seen in the butler’s lost chance for love in The Remains of the Day (1989). This novel won the Booker Prize for fiction (1989), a prize dedicated to the best novel published in the United Kingdom and written in English. The novel was adapted to a film in 1993, starring Anthony Hopkins and Emma Thompson. 

 

Later Work

Ishiguro continued to experiment with different genres and styles in his subsequent novels, The Unconsoled (1995) and When We Were Orphans (2000). Taking the leap to science fiction, Ishiguro wrote a tale about genetic engineering and human cloning in Never Let Me Go (2005). Although he’s best known for his novels, Ishiguro has also published a collection of short stories, Nocturnes: Five Stories of Music and Nightfall (2009), and several screenplays, as The White Countess (2005).

His most recent book, The Summer We Crossed Europe in The Rain (March 2024), is a collection of lyrics written for the jazz singer Stacey Kent. Ishiguro and Kent have been friends and collaborators for a long time, and he wrote lyrics for a handful of songs on Kent’s Breakfast on the Morning Tram.

Ishiguro has won many awards, perhaps most notably the 2017 Nobel Prize for Literature. Now he is a British citizen and lives in London with his wife and his daughter Naomi, who is also an author and published the book Escape Routes.

 

SUMMARY

This is the story of a Japanese family. The protagonist is a young man who returns to Tokyo from California to visit his father and his sister, Kikuko. At the beginning, the protagonist describes “Fugu”, a type of poisonous fish and its dangerous properties, if you don’t prepare it correctly. He tells us how his mother died two years ago because she ate “Fugu” prepared by a friend. When his mother died, he was living in California and he didn’t attend the funeral.

The son’s father picks him up from the airport and tells him the circumstances in which his mother died. His father is a very intimidating man, and he is proud of the pure samurai blood that runs in his family. He is a man who values a traditional family and is very strict. He and his son don’t have a good relationship; for this reason, the son did not return to his country until two years after his mother’s death. While they are waiting for the arrival of Kikuko, they talk a little about his father’s business partner, Watanaba, who killed himself and his family after the firm’s collapse, because he didn’t wish to live with the disgrace.

Soon after, Kikuko arrives. She is a student in Osaka. Despite the fact that the brother is much older, the siblings had always been close. They decide to go for a walk in the garden, while their father prepares the supper. Kikuko smokes a cigarette and tells him about her boyfriend and his plans for them to hitch-hike in America; she also tells him that their mother always blamed herself for him leaving Japan, that she thought she hadn’t raised him correctly. They have an open conversation, talking about their lives, childhood and recalling events like when he thought there was a ghost living in the garden near the well.

After this, the father calls Kikuko into the kitchen and tells her to help him with the final preparations of the supper. Then the father takes his son to another room to discuss his regrets about how he raised his children and how he should have been a more attentive father.

When the food is ready, the father encourages the son to eat a lot of the fish that he and Kikuko have prepared. During the meal, the son discovers a photograph on the wall with an old woman in a white kimono. His father reveals that it’s their mother, who resembles the ghost he used to see when he was younger. After the meal, Kikuko prepares some tea while the son and his father speak about the son’s future plans.

The story ends with a peaceful supper and a serious dialogue. The father expresses his hope that his children will come back home to live with him.

 

Some Reflections

It is possible that the father has made a decision: to repeat his partner’s actions. Perhaps he realizes that he could no longer manage the situation and decides to commit a form of suicide, and his children don’t know anything about it.

I think that the author wants to show how rebellion is an escape from social conventions and family expectations. Japanese culture puts a lot of pressure on children. They are usually raised very strictly, and we begin to understand why the protagonist left Japan and his family. Now his younger sister intends to do the same as her brother did in the past.

 

QUESTIONS

-What do you know about the poisonous fish “aranya” they fish in Blanes?

-What do you think it happened to the protagonist’s mother?

-What is it for you, the “honour”? Was Watanabe a man of principle? What is your opinion of the celebrated sentence “Those are my principles, and if you don’t like them... well, I have others.”?

-In your view, what was the ghost in the well or in the garden?

-According to your opinion, why did the son go back to Japan?

-What is the meaning of the mother’s picture in the story?

-What do you think it’s going to happen after supper? Why?

 

VOCABULARY

gutting, haunted, swayed, giggle


Analysis


An Ideal Craftsman, by Walter de la Mare

Walter de la Mare at the Wikipedia


Peacock Pie (collection of poems)

BIOGRAPHY

He was born in 1873 in Kent (now, a quarter of London). He died at 83 years old. One of his ancestors was French, hence his surname, "De la Mare". Somebody said also that he was a relative of Robert Browning, the famous poet, but it wasn’t true. When he was 23, he started working for the Standard Oil Company to provide for his family; but he also found time to write. At 26, he married the actress Elfrida Ingpen, then years older than him, and they had four children.

When he was 35, thanks to Sir Henry Newbolt (a poet, historian and a government adviser), he got a pension from the government that allowed him to write full time.

He wrote mainly poems for children, e.g. Peacock Pie, tales as Collected Stories for Children, and also horror stories, e.g. Eight Tales. He wrote a surrealistic novel too, Memoirs of a Midget, awarded by the James Tait Black Memorial Prize.

About literature, he devised two kinds of imagination: childlike imagination (visionary) and boylike imagination (intellectual and analytical). According to him, the best poets are in the border between both imaginations.


SUMMARY

“An Ideal Craftsman” tells us the way to fake a suicide of somebody murdered. A young boy is awakened in the middle of the night by a noise and sets off for a raid on the kitchen, but he is afraid of the servant Jacobs. We don’t know exactly what is Jacobs like, but we do know that, according to the boy, he is a villain. After going through several corridors, halls and stairs (because it is a big house), the boy reaches the kitchen, where he finds a woman (the cook or another servant) that behaves in a very strange fashion, but she is friendly with the boy. The boy asks her where is Jacobs, and she says he’s gone. But when he leaves to go back to his room, he discovers Jacobs’s body, and the woman confesses her murder. The boy seems to understand why she has killed him. However, she doesn’t want to run away because she knows the murder and the culprit are going to be discovered easily.  Still, the boy feels some affection for the woman and has the idea of counterfeiting a suicide in order to dodge all suspicions against her. But there is a small detail missing. Will they become aware of it and arrange the scene?


QUESTIONS

According to Roald Dahl (Book of Ghost Stories), “it is the women who have written some of the very best ones” (meaning ghost stories or horror stories). And some other critics say that women are very good at children and ghost books. What do you think about this? Do women and men have different abilities when they are writing?

About the story:

Talk about the characters:

The boy (age, interests, family, personality…)

The woman (appearance, temperament, age, job…)

Jacobs: what do you know about him?

When do you use the question Qui vive? (202, 6)

What is the Newgate Calendar? (202, 19)

What do they mean by the “silver night”? (203, 29)

Why do you think the woman talks to the boy in the third person? (206, 26-29, et al.)

The boy finds incredible that so stout a woman had so small a voice. Do you think that voices can be beautiful or ugly, as faces we think are?

For the boy, “one pretty keepsake had been degraded forever” (207, 20). What does it mean?

Why did some “old man’s bones had lain beneath the tramplings of the crossroads”? (213, 4)

Why did the woman kill Jacobs?

How did she kill him? How do you know?

What was the boy’s reaction when he knew of the murder? Why do you think he has this reaction?

The boy and the woman arrange things to pretend it was a suicide. But there was a missing detail: what was this detail?

VOCABULARY

frisked, pampered, scuffling, piecing together, summoned, wound up, raiding, ferret, sheathed, poignard, wraith, qualm, eavesdropper, bent, ladle, bedaubed, locket, gallivanting, shammy, shunning, minified, cock-crow, fusty, larder, draughts, blancmange, sly, baize, wreathing, gaunt, squawk, blandishment, mottled, callousness, apiary, keepsake, mawkishly, look out, thrush, wheedlingly, waddling, stark, wisp, chicken skin, holly, kitchen range, gallipot, small hours, trampling, stoutly, linnet, throttled, stage villain, arena, maundering, cut, gritty, pell-mell, ditch, crockery, wilted, bawled