The Bride Comes to Yellow Sky, by Stephen Crane

Stephen Crane at the Wikipedia: click here

The Bride Comes to Yellow Sky at the Wikipedia: click here

The Bride Comes to Yellow Sky: summary

The Bride Comes to Yellow Sky: audiobook

Movie

Presentation, by Josep Guiteres

STEPHEN CRANE

Crane was one of America's leading realist writers who influenced most modern American naturalism.

Biography

He was born in 1871 in Newark (New Jersey). He was the fourteenth and last child of a married couple belonging to the Methodist church. He married Cora Taylor, owner of the so-called Hotel de Dream, a combination of a hotel and a nightclub brothel.

 In 1890, he worked as a reporter of the slums in New York. In 1893, he wrote his first novel, Maggie, where he describes the life of a girl of the streets.

In1895, he wrote a classic of American literature, The Red Badge of Courage, where he describes realistically the psychological complexity of fear and courage on the battlefield in the context of the American Civil War. This novel was made into a film by John Huston.

In 1897, he was hired as a correspondent for the Greco-Turkish war, and in 1898, for the Spanish-American War.

He wrote The Open Boat and Other Tales which narrates his experience in a shipwreck for four days. In 1900, before his death from tuberculosis in Badenweiler (Germany), he wrote his possibly most popular book, Whilomville Stories.

The Bride Comes to Yellow Sky

Jack Potter, sheriff of Yellow Sky, married his girlfriend in San Antonio in the morning. They are happy but nervous about their new status as a couple and uncomfortable with their clothes that attract the attention of people, but they are so in love that don't even realize it.

Now they travel in a luxurious Pullman train from San Antonio passing through the plains of Texas to Yellow Sky. Potter worries that the inhabitants of Yellow Sky will be offended because he didn't inform them of his decision to marry, therefore he wishes to get home without attracting attention.

Meanwhile, in the "Weary Gentleman" saloon, a young man enters announcing that Scratchy Wilson, the last member of a gang of criminals, is drunk and prowling around town with two loaded pistols, and the barkeeper closes the doors and windows.

Wilson walks through the town playing with his guns, but, as nobody pays attention to him, he decides to go to Potter's house, but he finds him on the street.

Wilson challenges Potter, who tells him that he is unarmed because he’s just got married. When Wilson sees the bride, changes his mood, forgets the challenge, holsters his pistols, and he leaves in a huff.

 OPINION

In my opinion this short story defines the writer as realistic and modern: When people look at them in a strange way because of their appearance they don't even realize it; when Wilson is on the street giving war and the others are calm in their houses and in the bar; when everything seems to end in a great tragedy…

No way, don't worry, nothing happens here and in the end everything is settled easily.

QUESTIONS

Say something about these characters:
 
Jack Potter
The bride
Scratchy Wilson
The barkeeper
The drummer
 
Tell us something about San Antonio.
What is a Pullman?
Describe the train.
Talk about the train workers’ behaviour.
Describe the atmosphere inside the saloon.
How do the couple feel about Yellow Sky people?
How do the couple love each other?
 
Can you find any good descriptive images?
There are some actions that nowadays are clichés in a Western. Can you find some?

VOCABULARY

frame house, keening, leaden, heinous, parade, bliss, hangdog (glance), drummer, tear, pen, galoot, starboard

Eveline, by James Joyce

James Joyce at the Wikipedia: click here 

Dubliners at the Wikipedia: click here

Eveline (with audiobook): click here

Eveline: study guide

Eveline: quiz

Eveline: analysis

Eveline: symbolism

Eveline: power point

Eveline: Animation

Eveline: Italian free version by Roberto Rosselini

Presentation, by Glòria Torner

JAMES JOYCE

James Joyce is one of the most influential and important writers of the 20th century. He is known for his experimental use of language and exploration of new literary methods, including interior monologue, use of complex network of symbolic parallels and invented words and allusions in his novels, especially in his main novel Ulysses.

BIOGRAPHY

James Joyce, James Augustine Aloysius Joyce, was born in 1882, in Dublin (Ireland) into a middle-class family.

He was the eldest of ten children. At the age of six he went to a Jesuit boarding school called Clongowes Wood College. But, as his father was not the man to be affluent for long; he drank, neglected his affairs and borrowed money from his office, and his family sank deeper and deeper into poverty, Joyce didn't return to Clongowes College in 1891; instead, he stayed at home for the next two years and tried to educate himself. In 1893 he and his brother Stanislaus were admitted to Belvedere College, a Jesuit grammar school in Dublin. Joyce was a brilliant student and there did well academically.

He entered the Trinity College Dublin in 1898. There he studied modern languages, English, French and Italian, and read widely, particularly in books not recommended by the Jesuits. He began to write verses and experimented with short prose passages that he called Epiphanies. To support himself while writing, after graduation in 1902, he went to Paris to become a doctor, but he soon abandoned this idea.

He went back home in April 1903 because his mother was dying. He tried several occupations including teaching; he also began to write his first novel, Stephen Hero, based on the events of his own life, and he also began to write the short stories published as Dubliners in 1914.

Joyce had met Nora Barnacle in June 1904, and they began a relationship until his death; they probably had their first date, and their first sexual encounter, the day that is now known as “Bloomsday”, the day of his novel Ulysses. The couple left Dublin and emigrated together to continental Europe where he taught languages in Pola (Croatia) and Trieste (Italy), where their son Giorgio was born. He also lived for a year in Rome, where he worked in a bank and where their daughter Lucia was born.

Joyce visited Ireland in 1909 and again in 1912, this time with his family. In 1914 he rewrote and completed the novel A Portrait of the Artist as a Young Man, published in 1916, and he began to write Ulysses.

In 1915 the Joyce’s couple moved to Zürich and in 1916 he published his play Exiles. It was also the year that chapters from Ulysses, his novel in progress, began to appear in the American journal, “The Little Review”. The completed book would not appear until 1922. Ernest Hemingway and Winston Churchill were two of the first to buy the ready famous new book.

Ulysses, the most notable novel of the twentieth century, his main novel, is a gigantic work. All the action takes place in and around Dublin in a single day. The novel is the chronicle of the Dublin journey of the main character, Leopold Bloom, on an ordinary day. The three central characters: Stephen Dedalus, (Telemacus) the same hero of Portrait of the Artist as a Young Man, Leopold Bloom (Ulysses) a Jewish advertising canvasser, and his wife Molly (Penelope), the unfaithful woman. The events of the novel loosely parallel the events in Odysseus’s journey home after the Trojan War. Joyce employs interior monologue, stream of consciousness, parody and almost every other literary technique to present his characters.

Finding out that he was gradually gaining fame as an avant-garde writer, Joyce set himself in Paris to finish his Ulysses. His last book was Finnegan's Wake, published in 1939. Joyce's eyes began to give him more and more problems, and he travelled to Switzerland for eyes surgery.

Joyce died at the age of 59 in January 1941, in Zurich for a perforated duodenal ulcer.

EVELINE

Eveline is one of the fifteen short stories published in 1904 by the journal “Irish Homestead” and later in a collection in 1914, called Dubliners. Joyce himself offers a general plan for the book, revelling that he wants to present Dublin under four of its aspects: childhood, adolescence, maturity and public life. Eveline opens the section dealing with adolescence.

The story begins “in medias res”, at the middle of the plot.

Eveline, a young Irish woman about nineteen years old, sits by her window. The short first paragraph reveals Eveline’s state of mind: the verb “invade” suggests the dullness and tiredness of her life, her lack of energy. She is thinking about the aspects of her life. Her mother is dead and her older brother Ernest too. Her remaining brother, Harry, is busy working, and he is away on business. She works very hard at home and at work. She muses on Miss Gavan, from the Stores: she always takes advantage of any occasion to humiliate her in front of other people.

She plans to leave home, to leave her abusive and violent father and her existence of poverty in Ireland and to seek out a new and better life. She has already consented to it, but then she says “Was that wise?” and she begins to question the decision she has made, she sees both sides of the question “Was it worth it?”

She thinks she has had shelter and food at home and also the security of the known things. But her thoughts are driving her away because she has decided to elope with Frank, a sailor who is her secret lover, and start with him a new better life in Argentina. But before leaving home to meet Frank, she hears an organ grinder outside (it's the same melancholy air from Italy played by the street musician the day her mother died), and, remembering the promise she made to her mother to look after her home, she begins to change her decision.

Another important word at the end of the story is the noun “gate”. At the dock where she and Frank are ready to embark on a ship together, she will not take this way out; at the very last moment, she takes the painful decision of not leaving with him. She will remain at home.

Themes

The description is a portrait of an unhappy woman of the lower social class in provincial Dublin.

The conflict between staying at home or leaving with her love with the promise of a new start in a new country.

The triumph of the sense of duty and responsibility.

Eveline’s anguish, frustration and pessimism.

Style

I want to emphasize some literary style traits used in this short story:

Joyce choice his favourite narrative technique: the free indirect style. The verbs are mainly in past tense, 3rd person. He changes from time to time to present tense.

Most of the long descriptions in nearly every paragraph begin with the same syntactic structures: She sat at the window, she looked round, she had consented to go away…

He uses many abstracts words (substantives and adjectives) meaning thoughts: to be free; feelings: being tired, and senses, hearing: she could hear a street organ playing, her mother voice saying constantly “Derevaun Seraun”…”, smell: the odour of dusty cretonne, and also the same sounds in one sentence: She looked round the room, reviewing all its...

CONCLUSION

In my opinion, I have read a wonderful pessimist and realistic story. The sensibility of the person, Eveline, is described by the language.

QUESTIONS

Say something about these characters:

Eveline Hill

Ernest Hill

Harry Hill

The father

The mother

Miss Gavan

Frank

Keogh

Tizzi Dunn

The man who’s in Melbourne now

 
Describe the place where Eveline lives.
Eveline has two letters. Who were they for, and what do you think they say?
What good things did her father do for her?
What gave her palpitations?
What used to happen on Saturday at Hill’s?
Describe Eveline everyday’s work.
How did Eveline love Frank?
What was her father’s opinion about the affair?
What was the effect of the melancholy air from Italy played by the street musician?
Why do you think she didn’t go at the end?

VOCABULARY

concrete, cinder path, have an edge on somebody, squander, strut, elate, maze, mist

SOME NOTES ABOUT EVELINE

A man from Belfast: he had to be Protestant (Irish people are Catholics) and Unionist.

Brown houses: for Joyce brown was the colour of the paralysis of Ireland

Blackthorn stick: according to Celtic folklore, blackthorn carries bad luck. Jesus thorns crown was made of blackthorn.

“To keep nix” means “to keep watch”.

Blessed Margaret Mary Alacoque (1647-90) was a French nun, enthusiastic of self-mortification; she was some years paralysed, and she had visions of Christ. She was canonized in 1920.

Melbourne: lots of Irish people went there because of the famines.

“They had come to know each other”: it’s a very ambiguous sentence, because it can be in the Biblical sense.

The Bohemian Girl: it was a light opera (1843). The count’s daughter is abducted by some gypsies. She grows up with the gypsies until a Polish count disguised as a gypsy marries her. She discovers who she is and goes to his father, who, at the end, forgives her for getting married.

Italian organ player: at the time a lot of Italians who lived in Ireland were musicians, actors, artisans, pedlars…

Patagonians: in the 19^th century they believe Patagonians were giants.

Deveraun Seraun!: perhaps a Gaelic expression that means “death is very near”.

The Family Man, by V. S. Pritchett

V. S. Pritchett at the Wikipedia: click here

The Family Man: analisis (text and audio)

Summaries of other Pritchett's stories: click here

PRESENTATION, by Rafel Martínez

BIOGRAPHY

Sir Victor Sawdon Pritchett, was born in Suffolk, on 16 December 1900, he was the first of four children of Walter Sawdon Pritchett and Beatrice Helena. His father, a London businessman, started several businesses, but due to his insecurity and his tendency to credit and embezzlement, had to close the businesses and disappear, so the family was forced to change their address to different cities, such as Ipswich, Woodford, Essex or Derby, which forced the children to change schools frequently, all to circumvent the persecution of the numerous creditors of Walter, the father.

The family moved to East Dulwich and he attended Alleyn's School, but when his paternal grandparents came to live with them at age 16, he was forced to leave school to work as a clerk for a leather buyer in Bermondsey. The leather work lasted from 1916 until 1920 when he moved to Paris to work as a shop assistant. In 1923 he started writing for The Christian Science Monitor, which sent him to Ireland and Spain. Pritchett, along with his friend and writer Gerald Brenan, is one of the few Englishmen who, in the early 1930s, toured the Spanish territory. From that youthful experience, Pritchett wrote Marching Spain, which appeared in 1928. However, it was not until 1954 that, already a consecrated writer, he published The Spanish Temperament, an excellent travel chronicle about our country.

In 1936 he divorced his first wife and married Dorothy Rudge Roberts, by whom he had two children; the marriage lasted until Pritchett's death in 1997, although they both had other relationships.

During the Second World War Pritchett worked for the BBC and the Ministry of Information while continuing to write weekly essays for the New Statesman. After World War II he wrote extensively and embarked on various university teaching positions in the United States: Princeton (1953), the University of California (1962), Columbia University and Smith College. Fluent in French, German and Spanish, he published acclaimed biographies of Honoré de Balzac (1973), Ivan Turgenev (1977), and Anton Chekhov (1988).

Sir Pritchett was appointed a Knight Bachelor in 1975 for "services to literature" and a Companion of Honour in 1993, in addition to other multiple decorations and mentions throughout his life, which makes him the best English author of his time.

Sir V. S. Pritchett died of a stroke in London on 20 March 1997.

THE STORY

This work, written by V.S. Pritchett, like all the other tales of him, are considered masterpieces that make their author to be considered as the best writer in England of the 20th century.

Like all his works, these are stories of normal people, with ordinary lives and that the author deals with that typical English irony, the well-known English humour. In most cases the actors are put in scenes that we all recognize as picturesque and that the author deals with his fine vision of double meaning and irony that the reader finds so funny.

In this case it is one story of a middle-class promiscuous man called William Cork with the pet name ‘Bunny’. He is a womanizer, a professor at a college, a married man with children, and a compulsive flute player. He has affairs with numerous women. The story is told from the viewpoint of one of his mistresses from the college, a jewellery designer called Berenice. In the story, Berenice comes face to face with Florence Cork, the obese wife of William. Mrs Cork has come across a letter sent to William in secret and she presumes Berenice is the sender.

The author fills with constant hints, especially sexual, the interpretation of his actors, with comic scenes such as when Bernice and Mrs Cork treat the theme of William's flute, one referring to her husband's musical instrument and the other, Bernice, understanding the flute's reference as William's penis, her lover.

ANALYSIS

I have to confess that it is my first approach to a work by V. S. Pritchett and when I chose the title The Family Man, at first I confused it with the American film, A Family Man, directed by Mark William, and with main actors, Gerard Butler, William Defoe, that is about a businessman who must choose between promoting himself running a large Chicago company or tending his family life.

After reading three times Pritchett's work, I have ended up understanding many phrases and its double meaning that are the characteristic of its author, where he mixes simple events of normal lives with his fine humour and typical English irony.

Now that I have known a work by Pritchett, I promise to look for and read other works, to confirm that in his genre he was the best author of his time.

QUESTIONS

William Cork: appearance, personality, job...
Benerice Foster: appearance, personality, job...
Benerice's flat
Benerice's father
What is a Quaker?
Sexual allusions in the story
Florence Cork: appearance, personality, job...
Benerice's talent for lying / telling the truth
Describe the affair between William and Benerice
When Benerice thinks about marriages going on holiday, she imagines "the legs of their children running across the sand". Why the legs?
Who was Rosie?
How does the relation between Benerice and Florence progress?
What does William usually do after making love with Benerice?
The necklace
Mrs Cork said: "Don't be jealous of Mrs Glowitz, dear. You'll get your turn." What's the double meaning of this sentence?
Can you tell the difference between "swoosh her hair" and "put it up"?

VOCABULARY

dawdle, piquancy, blob, droop, lurch, flourish, soft-soap, twaddle, flopped, rummage, harass, bicker, slapdash, hang-dog, wisp, dab (dabbing), pushy, talk somebody's head off

SOME NOTES ABOUT V. S. PRITCHETT

He had a terrible handwriting and his manuscripts were so full of corrections and blots that only his wife was capable to decipher his texts and type them. She used an Imperial typewriter, and she typed with such a speed and strength that it sounded exactly as a gun machine.

V. S Pritchett was born in 1900, so he used to say that he was as old as the century, or that the century was as old as he. He wanted to be called V.S.P. because he didn’t like his first name Victor. His mother would rather like a girl and she would name her after the queen Victoria, but, as he was a boy, he was called Victor.

When he was a child his family used to move house frequently, and he sometimes lived with his grandparents near York. His father never lasted long in a job and changed employment very often.

Pritchett couldn’t go to university (his family were poor) and he had to work in a leather company, but he could work for the firm as a clerk in Paris. However he wanted to be an artist. He started to paint because in 1921 Paris was full of artists. He did his first picture in two weeks, but when he looked at it he saw was a failure, so he abandoned his painting career after fifteen days. Then he decided to write, but one has to have something to write and he didn’t have anything to say. However, by chance, he had a lucky strike: there was a jokes contest in a newspaper; you had to write a joke and send it to the paper. His joke (it was a regular joke) was published and, although he didn’t get any money, he was very happy. Now he knew that if you don’t have anything to say, at least you can tell what others say, and he started his career as a writer.

To write well he thought he could imitate what writers did before him, and he discovered that some writers used to walk a lot, and so he walked very long walks. Also he read that Barrie (the author of Peter Pan) said the best thing to do to start writing was to write about small things or about things that are near you. Following this piece of advice he wrote about his room, send the text to the newspapers and... three newspapers accepted his articles. Now he could say he was a real author because he earned money with his texts.

He didn’t like to reread his articles or his stories because afterwards he found them very poor, and so he got very sad about his talent; but then he discovered that this was a common feeling in lots of writers: it’s the depression after the work is done. So some writers, as himself, get satisfaction in the act itself, and not after the text is deemed finished.

After Paris, in 1923 he travelled to Ireland (after obtaining the independence from Great Britain and in the middle of a civil war) and became a newspaper’s correspondent. There, in that country fond of beer and whiskey, he discovered that drinking alcohol don’t make you write better, but exactly the other way round, and he banned liquors forever when he wrote.

He wrote his first short stories in Ireland, where from an Irishman he got the inspiration for the short story Sense of Humour, and in Spain, about where he wrote a pair of books.

The Family Man was published in 1979 in his collection of short stories On the Edge of the Cliff.

The Cop and the Anthem, by O. Henry

O. Henry at the Wikipedia: click here

The Cop and the Anthem at the wikipedia: click here

The Cop and the Anthem: review

Some academic activities (with solutions): click here

The Cop and the Anthem: audiobook

The Cop and the Anthem: short movie

Presentation

Biography

Oliver Henry, usually written O. Henry, was the pseudonym of William Sidney Porter. He started to use different pseudonyms when wanted to publish his stories while he was in prison. And as he liked O. Henry the best, he kept using it ever after, and we always speak of him as O. Henry.

He was born in 1862, so in the middle of the American Civil War or Secession War, between the slavers confederates secessionists and the yankees abolitionists unionists. His birthday was on the 11th of September, so we have to suppose that if he had known what were to happen, he would have written a story about it, because he liked the surprising ironies of life.

He was born in North Carolina, but he went to live in Texas where he graduated as a chemist (or pharmacist, as he was American, not British). He was then 19 years old.

When he was 25, he eloped with his girlfriend. They married and they had two children, a boy who died soon after his birth, and, later, a girl, Margaret.

When he was 29, he started to work in a bank, and only 3 years later he was accused of misappropriation. In order to avoid the trial and being found guilty, he run away to Honduras. There he started a friendship with a famous train robber. Also, there he coined the expression “banana republic” that appeared in his book Cabbages and Kings.

But when he knew his wife coudn't come to Honduras (as they had planned) because she was dying of tuberculosis, he went back to the USA. He had spent six months in Honduras. Back in the USA, he was found guilty of misappropriation and got a penalty of 5 years in prison, but he went out after 3 years because of his good behaviour.

Then he moved to New York, the setting of most of his stories.

He died when he was only 48 years old of cirrhosis: as you can imagine, he was a heavy drinker.

While he lived in New York, he was a very prolific author because he wrote a story every week for different magazines. He was a popular author; his stories are witty, funny and with a surprising ending, but he wasn’t very praised by critics, because they thought he wasn’t deep enough.

His most known short stories are The Gift of the Magi (where a very poor marriage try to buy presents each other in secret), The Ransom of Great Chief (where two bandits kidnap a boy, and the things doesn’t go as easily as they thought), The Last Leaf (where and old artist helps, in a very special way, to spirit another young artist who doesn’t want to fight for her own life), Hearts and Hands (where a prisoner and his guard travel by train and there they find an old acquaintance), etc. 

The Cop and the Anthem

It was published in December 1904, and it’s a typical Henrian story. It has irony, witty sentences and an unexpected ending. Furthermore, it was adapted for the cinema (as a part of a longer movie) with Charles Laughton and Marilyn Monroe as stars.

It’s about a lazy homeless who feels winter is coming, and knows he’s going to be cold, and, as he lives in the streets, he has to look for warm accommodation. According to his opinion, the best he can get is some months in prison: there he will be fed and will have bed and blankets and a cell with a roof on it and walls around. But the question is how can be he put into prison? So he tries different ways, that is, different minor crimes, and waits for an officer to arrest him. But all of his attempts are a failure, so at the end he decides..., but I’m not going to be a spoiler telling you the end!

I like this kind of stories because they’re pure entertainment, and they are sincere and not pretentious. You read them, and you feel immediately satisfied and happy. But, on the other hand, they don’t make you meditate, they don’t give you new ideas and they don’t stimulate your intellectual or moral curiosity. All in all, however, they’re enjoyable.

QUESTIONS

In the story The Last Leaf, there is a personification: Pneumonia is treated like a person who walks around, touches people and kills them. What personification do we have in our story? Explain its elements.
Our protagonist, what cannot he do to get warm in winter that other (richer) people do?
What was Blackwell’s Island, or, simply, the Island?
What’s the Boreas in our story? What about the bluecoats?
How did Soapy protect himself from the cold the previous night?
Why doesn’t he like to go to a charity institution?
 
Explain the different ways to get arrested, and so an accommodation on the Island:

The expensive restaurant way
The breaking of a shop-window glass way
The regular restaurant way
The annoying a young woman way
The disorderly behaviour way
The umbrella way

 
What are the choosiest products of the grape, the silkworm and the protoplasm in the expensive restaurant?
What does it mean that “the minutest coin and himself were strangers”?
How does Soapy feel after hearing the church music?
At last, how did he get a place on the Island?

VOCABULARY

honk, hegira, parley, minion, loaf, telltale, woo, demeanour, cant, sud, larceny

The Last Mohican, by Bernard Malamud

Bernard Malamud at the Wikipedia: click here

Pictures of Fidelman at the Wikipedia: click here

The Last Mohican: review

The Last Mohican: analisis

The Last Mohican: critical review

Presentation, by Gemma Agell

The writer

Bernard Malamud, a New Yorker, was born in Brooklyn in 1914 and died in Manhattan in 1986. He is one of the main representatives of the Jewish literature, although he was a declared agnostic. His parents were Russian immigrants. Malamud lived his adolescence during the Great Depression and watching Charlie Chaplin’s films to have some fun and explain them to his friends. He graduated at Columbia University where he did his thesis about Thomas Hardy. It seems it was an impulsive man since in 1948, he burned his first manuscript entitled The Light Sleeper. The topics he wrote about were social issues and above all the difficulties of immigrants who arrived in America, and the hope in reaching their dreams despite their poverty. He is not considered a prolific writer since he only wrote 8 novels. In 1967, he won the Pulitzer and the National Book Awards with the novel The Fixer where he talks about anti-Semitism in the Russian Empire. He was also known for the 55 short stories collected and published after his death in the book Complete Stories. 

The story

The Last Mohican happens in Rome and has two men as protagonists. Fidelman is a middle-aged man who’s just arrived in Italy to spend a year to write a critical work about the painter and architect Giotto. He planned to stay in Rome for one week and then travel to Florence, Assisi and Padua, but this was completely disrupted by the appearance of a mysterious Jewish man. Their first meeting was when Fidelman was leaving the rail station, Susskind, keeps his eyes on him; Fidelman was good-looking and well-dressed, the perfect prey for Susskind who was looking for someone to finance their “street business”. He was a Jewish refugee from Israel who had lived in Germany and now was trying to survive in Rome cheating tourists. He offered Fidelman as a guide, to help him to find an hotel, in fact all of them were things to get some money. After this first meeting, the story tells us how a very organised man with a well-planned stay in Rome, changed completely when Susskind got into his life. In order to escape from this, Fidelman decided to go to Florence some days before expected, but his plans were broken when he arrived at the hotel room and his briefcase, and in addition the first chapter of the manuscript about Giotto, disappeared. From the beginning, he suspected of Susskind, and started a searching that supposed for him a decline, for during three months he quit the visits to the museums and got obsessed about find Susskind, even though he got up on weight and his physical aspect got worse. At the end of the story he finds Susskind but not his manuscript. 

Some things

Malamud starts with an accurate physical description of Fidelman and his outfit. It is important that the reader imagine a good-looking man but also emphasize with him, presenting him as a humble man who had worked hard to save money and even borrowed some from his sister in order to make his dream true, travel to Italy.

The reason that Fidelman decided to go to Italy was Giotto. Giotto di Bondone was a painter and architect born in Vicchio in 1267. Nowadays, we can contemplate his works at the Gallerie degli Uffici in Florence, Louvre Museum in Paris or the National Gallery in London. He contributed to the Italian Renaissance, and is known for representing emotions in paintings and also for incorporate 3-dimentional vision. By the incorporation of this changes it started a new way to express the religious art. He has remarkable paintings in churches of Assisi and Padua. The writer also wants to reflect that Fidelman is a curious person mentioning Trofimov as his alter ego: “Call me Trofimov” he said to Susskind. Trofimov was a role of the play The Cherry Orchard by Chekov where he express his ideas and represents an eternal student; Fidelman said “If there’s something to learn I want to learn it”.

The author describes the life that Fidelman dreamed at his arrival in Rome, a curious person who had planned his stay with a lot of activities: mornings at libraries searching for catalogues and archives, and after lunch and a nap to recover, he visited churches and museums during the afternoon. A perfect day for him finished with some relax, dinner with white wine and a stroll in Trastevere quarter near the Tiber. The role of Susskind is the stereotype of a person who takes profit on others, he asked for a suit, for money, and had not enough with some dollars he received from Fidelman. Susskind is a kind of survivor who lives illegally in Italy after quitting Germany; I’m not sure if he really wants to find a real job or prefers to live this way. When he begins to go after Fidelman, surely because he thinks that he is rich, he becomes almost his shadow, and Fidelman gives him some money in order “to have some peace of mind” as he said in the story. In my opinion, while the story goes on you empathize with Fidelman and his feelings to get rid of Susskind and really enjoy his stay in Rome, just until it became to an obsessive behaviour.

While reading the story you are someway transported there, he reflects the art present in Italy and especially in Rome, incorporating references of emblematic sites of the Eternal City: the Diocletian Baths, which afterwards were reconverted in a church and convent by Michelangelo. The Vatican, a paradise for art lovers, where Fidelman experienced some kind of “ecstasy” staring at its walls and absorbing all that beauty, and he also introduces a little reference to the statue of Romulo and Remus, the twins from the legend of Rome’s origin.

Malamud chose that the two main characters of the story were Jewish like him, although he was agnostic. The first time they met, Susskind calls Fidelman asking if he was Jewish, this was the link he found to explain him his own story as a refugee a connect with his solidarity.

The story had a change of direction when the briefcase with the manuscript disappears, Fidelman was another man, he didn’t enjoy any more his stay in Rome, and even he postponed his trip to Florence and the other cities. The next months he started to visit places just to find Susskind, because he suspected that he has stolen the briefcase, he didn’t answer his sister calls, his appearance was not important anymore, he put on weight. The search for Susskind had become an obsession.

The author added some irony in the narrative, mostly when he explains his dreams, for instance the one where he was in the cemetery reading the inscription; these situations always finished with the sentence: “But not Susskind”. This particular sense of humour was also used to represent in a visual way the freezing cold of the refugee’s room, he said: “this fish in the fishbowl is swimming around in Arctic Seas”. When he goes in Susskind apartment furtively and don’t find anything, he returned to the pension and had a dream where he found the briefcase, “but not the manuscript!”

Some Giotto's paintings

On the day before our departure, we decided to go as far afield as Padua where were to be found those Vices and Virtues of which Swann had given me reproductions; after walking in the glare of the sun across the garden of the Arena, I entered the Giotto chapel the entire ceiling of which and the background of the frescoes are so blue that it seems as though the radiant day has crossed the threshold with the human visitor, and has come in for a moment to stow away in the shade and coolness its pure sky, of a slightly deeper blue now that it is rid of the sun's gilding, as in those brief spells of respite that interrupt the finest days, when, without our having noticed any cloud, the sun having turned his gaze elsewhere for a moment, the azure, more exquisite still, grows deeper. In this sky, upon the blue-washed stone, angels were flying with so intense a celestial, or at least an infantile ardour, that they seemed to be birds of a peculiar species that had really existed, that must have figured in the natural history of biblical and Apostolic times, birds that never fail to fly before the saints when they walk abroad; there are always some to be seen fluttering above them, and as they are real creatures with a genuine power of flight, we see them soar upwards, describe curves, 'loop the loop' without the slightest difficulty, plunge towards the earth head downwards with the aid of wings which enable them to support themselves in positions that defy the law of gravitation, and they remind us far more of a variety of bird or of young pupils of Garros practising the vol-plané, than of the angels of the art of the Renaissance and later periods whose wings have become nothing more than emblems and whose attitude is generally the same as that of heavenly beings who are not winged. (Marcel Proust: La prisionnière)

Navicella

San Francesco dona le vesti al cavaliere povero.

TOPICS

Fidelman has a pigskin briefcase. What is the importance of this particular for the story?
What are “oxblood shoes”?
What do you know about the Diocletian Baths?
Fidelman: describe very briefly his appearance and his personality.
What is the meaning in context of “give a skeleton a couple of pounds”?
What do you know about Romulus and Remus legend?
There’s a film directed by Guy Richie (Madonna’s ex-husband) called “Lock, Stock and Two Barrels”. In the story we have the expression “lock, stock, barrel”; what does it mean? What is its origin? What is its relation with the title of the film? Have you seen it?
What is the meaning of “knickers”, in context?
Shimon Susskind: describe briefly his appearance and his personality.
What can you say about Florence, Siena, Assisi and Padua?
Who was Trofimov?
What was Fidelman’s daily routine?
There is the expression “remembrance of things unknown”. Doesn’t it remind you of a famous French literary work, a masterpiece? What’s its author and the exact title?
Fidelman said “My God, I’ve got to stop using my eyes so much” when he was looking at some ceiling. Why does he say it? What do you know about the Stendhal syndrome?
Why Susskind doesn’t go to Israel?
What is the context for the sentence: “The Italians are human people”?
What business does Susskind propose to Fidelman?
At the police station, an officer draws a line on “valore del manuscritto”. What is the meaning of this?
How did Fidelman try to recover the main ideas of his first chapter about Giotto?
Where did Fidelman look for Susskind and where did he find him?
What were Fidelman’s three different accommodations?
What was Fidelman’s daily routine after losing his work about Giotto?
They mention the Spanish painter Murillo. What do you know about him?
What was Fidelman’s real vocation?
Where did Susskind live?
What is the meaning of Fidelman’s last dream (“San Francesco dona le vesti al cavaliere povero”)?
Why did Susskind burn the chapter?
What did Fidelman earn at the end?
What is the relationship between the title and the story (remember there’s an adventures novel by James Fenimore Cooper called The Last of the Mohicans)?

VOCABULARY

shalom, schnorrer, Yiddish, constipated, mirthlessly, grant, porter (two meanings), cigar store Indian, welfare organization, gabardine, warped nerve, peddle, Joint Distribution Committee, gross, saddled, pest, Sephardim, faucet, pudgy, ghetto, goyim, painstakingly

The Lottery, by Shirley Jackson

Shirley Jackson at the Wikipedia: click here

The Lottery at the Wikipedia: click here

The Lottery: study guide

The Lottery: audiobook

The Lottery: review

The Lottery, short movie:

Presentation, by Remedios Benéitez

Biography

Shirley Jackson was born in San Francisco, California, in 1916, and spent her childhood in Burlingame, California, when she began writing poetry and short stories as a young teenager. Her family moved east when she was seventeen, and she attended the University of Rochester, New York.

She entered Syracuse University, N.Y., in 1937, where she met her future husband, the young aspiring literary critic Stanley Edgar Hyman. Both graduated in 1940 and moved to New York’s Greenwich Village, where Shirley wrote without fail every day. She began having her stories published in The New Republic and The New Yorker.

In 1945 her husband was offered a teaching position at Bennington College, and they moved into an old house in North Bennington, Vermont, where Shirley continued her daily writing while raising children and running the house.

Her first novel The Road Through the Wall was published in1948, the same year that The New Yorker published her iconic story The Lottery.

She composed six novels, including The Haunting of Hill House and We Have Always Lived in the Castle, two memoirs and more than 200 short stories.

She was a heavy smoker and suffered numerous health problems. In 1965, Shirley died in her sleep at her home in North Bennington, at the age of 48.

THE LOTTERY

It is a short story by Shirley Jackson published in the magazine The New Yorker on June 26, 1948. Reaction to the post from readers was negative, who sent protest messages to the magazine, but later it was accepted as a classic short story subject to interpretations. Now it’s considered as “one of the most famous short stories in the history of American literature”. It has been adapted for radio, theatre and television.

 Argument:

The lottery takes place on a beautiful summer day, June 27, in a small town of 300 inhabitants, where all residents gather for a traditional annual lottery.

Although the event seems festive at first, people show a strange and gloomy mood, and it soon becomes clear that no one wants to win the lottery.

The draw is carried out between the heads of the family. The Hutchinsons are chosen and then the draw is made within the chosen family, getting chosen Tessie (the mother), so she is stoned to death by all the neighbours of the town, including his own family. This is a sacrifice to ensure a good harvest, according to the beliefs of the community.

I think that this is a story about the human capacity for violence. It explores ideas such as communal violence, individual vulnerability and the dangers of blindly following traditions.

We rely on collective violence in those circumstances that we would not be able to consider individually.

ISSUES

The quid of the story is that the people seem normal, nice and even happy, and they go to the square as they would go to the market, with an informal attitude, they chatter and gossip; even the day is sunny, the children don’t have school because they start the summer holidays and the procedures of the lottery are simple and common. So the jewel of the story is the ending; we don’t imagine that something horrifying is going to happen. The villagers aren’t afraid, although we suspect that something surprising can happen, because there’s too much happiness, and we have had some hints, e.g., they collect stones, there is somebody missing, Mrs Hutchington says “it isn’t fair”, etc. So in this case we have a story that loses all its effect when we know the end; the story has a punch, but as soon as we know that it’s going to hit us at the end, we are alert and don’t get hurt (symbolically) any more. A similar classical and very famous story of this kind is Monkey’s Paw, by W.W. Jacobs. I strongly recommend its reading if you like these kind of stories: it’s short and easy to read with a lot of dialogue.
👉So, what kind of stories do you prefer: the ones with a clear ending or the ones without?

I think the main topic of the story is tradition, what we do with tradition. According to the dictionary “tradition is a custom or way of behaving that has continued for a long time in a group of people”, but, for me, another definition is also possible: tradition is what you do because someone before you did, not because it’s reasonable to do. So you don’t think about the action and its consequences, you don’t think about the reason why. Accordingly, tradition is opposite to progress.What is your point of view about traditions? Do you remember the tradition in Julian Barnes’s story, that one about sleeping on a mattress in a barn on the wedding night? And I particularly remember the tradition of burying the mother’s placenta when there is a birth (as someone in my family told me).
👉Can you tell us a very unreasonable tradition you know? 

Something similar happens with proverbs and sayings. A typical case of a saying that can be false is “Better the devil you know than the devil you don't”. And in the story there is also a saying: “Lottery in June / corn be heavy soon.”
👉Are all sayings clichés? Can you explain a saying that isn’t exactly true? I give you some examples:

The pen is mightier than the sword.
What doesn’t kill you makes you stronger.
 Sticks and stones may break my bones, but words will never hurt me.
You are what you eat.
A watched pot never boils.
The grass is always greener on the other side.
Time heals all wounds.
An apple a day keeps the doctor away.
Slow and steady wins the race.
You catch more flies with honey than with vinegar.
Out of sight, out of mind.
Early to bed, early to rise, makes a man healthy, wealthy and wise.
Love is blind.
You can't make an omelette without breaking some eggs.

 

...

In the story, the tradition has lost some parts of the ritual, or some things have been changed, e.g., using papers instead of pieces of wood for the draw. Do you think that this is because traditions tend to keep the essential parts and forget the less important ones?
👉What is your opinion about rituals? Are they necessary for our everyday lives? And are they useful for ceremonies, social situations as a wedding or a funeral?

The story is situated in a small village of 300 inhabitants.
The smaller the society the stronger and less sound are the traditions?
👉What is your view on this?

Mrs Hutchington says “it isn’t fair”. Why? Because she thinks something in the procedure wasn’t correct, or because she knows she’s going to be stoned?
👉In which societies they did lapidation and in which countries they're still doing now?

So being lucky is another important theme in our narration. There’s a wonderful story about the fortune (in the classical or Greek sense) or the destiny ruling our lives: La loteria en Babilonia by Jorge Luis Borges. In the Æneid, they say: Fortune helps audacious people, that is, “chance is something you don’t have: that’s something you must look for”. Or: you cannot wait your chance sitting down, you have to stand up and go for it.
👉In your opinion, do our lives depend most on luck or most on our personal decisions?

Another topic you can find in The Lottery is the question of the scapegoat; that means that, when there are catastrophes or phenomena you aren’t able to explain, you attribute them to some sin or bad action someone has done, and so this person has to pay for it, and, if you don’t know the guilty one, you’ll have to choose someone (using a lottery, e.g.) to pay for it. That will stop new disasters. Religion explains this as a sacrifice: you have to do a sacrifice to soothe the gods, and that means killing an animal or a person. You already know the legend of Saint George and the Dragon: every year they had to choose a maiden to feed the Dragon.
👉Can you remember other examples of scapegoats?