Showing posts with label shyness. Show all posts
Showing posts with label shyness. Show all posts

Feuille d'Album, by Katherine Mansfield

SUMMARY, by Núria Lecina

The title is the same as Chopin’s musical composition that remembers love in spring, when new flowers and leaves begin to grown. This piece was dedicated to the countess Szeremtieff.
The text is narrated in the third person by an unknown narrator. In some moments, another narrator takes part with some question or comment. There are a lot of changes in the narration. The text it’s full of descriptions of the main character, other people and places or atmosphere.

Ian is the main character. He is a young painter who lives alone in Paris, in a typical French building in a top flat in front of Senna’s River. The description that Katherine writes shows us different aspects of the boy, sometimes contradictory.

We read that at first glance he seems an interesting man, elegant, clever and handsome. In spite of that, we read that he also is an impossible man, unbearably heavy and especially shy, very shy. He has difficulties to achieve a normal social relationship, and his relationships with women who are interested in him always end badly. Ian doesn’t answer to the kindnesses of these women. He hides inside his shell, like a tortoise. He closes and disappears.

He lives in his own world; he has an introvert life with his own routines. He is excessively tidy with home things. He thinks about his economy and the way to organize his savings. All in his life has to follow some pattern to be right. For instance, in front of his bed, there is a notice with this advice: GET UP AT ONCE.

One afternoon he was in the window having a snack when he saw a girl in the building across the way in front of him. The girl went out to the balcony with a flower’s pot. She was a bit odd in her clothes and maybe in the way she spoke to another person. He didn’t know who spoke to her. Perhaps somebody she lived with?

At this moment Ian understood that she was the only person he really wanted to meet. She appeared to be the same age as him. He fell in love with her just at that moment. He began to imagine things about her life and also how his life would be like with her. But the girl did not notice the presence of someone watching her. She carried on his routines.

From this day, he felt a change in his life: he had a challenge and this was to get as fast as he could a new pattern of behaviour to order his routines and actions: NOT TO LOOK AT HER AND NOT TO THINK ABOUT HER UNTIL THE PAINTING IS FINISHED.

Ian wanted to meet the girl, but he hadn’t any idea of what to do. He didn’t have experience in this matter. His shyness drowned him. Every day he observed the girl, every time he had more and more desire to meet her. One day he discovered that every Thursday she went out with a basket, probably shopping. One Thursday, when the girl left home, Ian decided to act. He went down to the street and followed her. He saw more and more clearly that they were soulmates.

She seemed lonely, serious. Then he saw the opportunity. She entered a shop and bought an egg, only one. The same that he would have chosen. When the girl came out, he went into the store and bought the same. Quickly he followed her, and when she arrived to her building and entered the lobby, he went in behind her and said:

“Excuse me, Mademoiselle, I think you dropped this”, and he showed her the egg.

And he handed her his own egg!!!

That scene seems taken from a basic manual to begin relationships. Maybe the object isn’t the most appropriate, but I hope everything will work very well with them.

 

PERSONAL OPINION

As in Chopin’s composition, Ian finds love, and it appears suddenly, like leaves (feuilles) and flowers in Spring. In this short story, Katherine Mansfield presents the awakening of the love in a young man. One man that, in spite of his difficulty with relationships, has the same emotions and feelings as the other people.

In my opinion, Ian suffers some dysfunction in social abilities. He constantly needs rules for his actions, he always needs order around him. It seems he is afraid in front of new situations; this is, from my point of view, the reason why he doesn’t answer people and hides like a tortoise. Maybe he suffers from some minor autistic disorder.


QUESTIONS

-Why does he say “you nearly screamed” when the boy was in your studio?

-Who was the person “who started to give him a mother’s tender care”?

-When do you know that someone is an artist?

-What kind of pictures do you imagine Ian French painted?

-How do you imagine the family’s girl and the girl’s character?

-Why did he give her an egg at the end of the story? What does the egg symbolize?

-What is the meaning of the title?

 

VOCABULARY

rousing, stony, rag-time, Broken Doll, fishy, ladling, booths, awning, still life, spangle, peppered, daffodils, draper's, dairy

 ANALYSIS

ANOTHER ANALYSIS

MEANING OF THE TITLE

A Card Trick, by Tessa Hadley

 SUMMARY

This is a capital story of the collection; with it, Tessa Hadley won the 2005 O. Henry award.

Gina, a 47-year-old scholar and writer, is revisiting Wing Lodge, the house where John Morrison, her favourite novelist, whose works she has deeply studied and about whom she has written a book, lived during the last and most productive years of his life.

There she remembers her holiday at her mother’s friend (or client), Mamie. Mamie has a glamorous family of three boys and a daughter. Although Mamie belongs to the high class, she and her children are natural, free and easy, frank, kind and welcoming; but they aren’t much into culture, literature and art, and haven’t gone to university, so their academic education is a bit limited; however, they aren’t silly and can have interesting conversations. In the other hand, Gina is very clever about these subjects, and she’s a very good student, but she’s socially clumsy and shy; moreover, she feels awkward in her body, because she’s tall and a bit plump.

There, in their house near the beach, she spent two weeks, but she didn’t go much to the beach, neither did she take part in their open-air entertainments; instead, she pretended to study to prepare her exams and spent most of the time alone in her room; but, when the family is away, she roams the house searching and prying and making herself comfortable with food, drink, cigarettes and lying on the sofa.

One day, believing she was alone at home, she discovers that Josh, the less glamorous of the brothers is at home. She had some feelings for him. Gina doesn’t know what to do and spends a lot of time shut in her room.

But the last day of her holiday there, she feels a lot more confident. One of the sons is in London, Mamie and two other children have gone to see some friends, and Tom is staying at home building houses of cards; as he cannot finish a difficult one, Gina offers to show him a card trick. The boy is astonished and enraptured at the trick. For Gina, this meeting is a kind of symbolic sexual encounter.

The next day, she went back home and never again met anybody of Mamie’s family. Afterward she will know that Mamie got divorced and, after some time, she died, and one of her sons also died drowned; so perhaps a glamorous family has also their misfortunes.

But now, as she remembers this fortnight in a coastal village, she isn’t that awkward 18-year-old girl any more: she’s a tall woman, perhaps not beautiful, but “statuesque”, who has had some success in her field and feels confident with her life and her body. In John Morrison’s house she gets emotional when she sees a manuscript with a scene that has been erased in the published book: a middle-aged woman, daughter of the man just dead in bed, declares her love to the doctor who has taken care of him until the last moment; the doctor, who is married, feels disgusted and, amazed, rejects her.

The end of the story is a bit mysterious. Something (and insect, the lady guide) calls her attention, and the memories of that holiday come back to her, and she regrets that isolate life of hers when she could cheat someone to be her friend. Maybe, as she’s now a public person, she can play tricks no more to anyone.


QUESTIONS

-Why Gina’s appearance is important for the plot?

-What is Wing Lodge? (Compare to Lamb House). Have you ever visited a house of a famous person? Do you like visiting museums? Somebody said museums were like churches: do you agree?

-What can you say about Mamie and her family?

-Is a friendship between people of very different social classes possible? Why do you think so?

-Do you follow a diet? For your health or for your body shape / weight? Do / did you trust your diet?

-What are A levels and S levels?

-Is it usual that rich people don’t go to university? Do you think everybody should go?

-Do you know who were Walter Gropius, Conrad, Ford, Henry James, Wyndham Lewis, Gaudier-Brzeska, Mansfield, Pound?

-What kind of books do you imagine John Morrison wrote?

-What different talents (from the protagonist) did Mamie’s children have?

-Do you feel curiosity about how authors write? (I mean technical aspects: computer, pen, with music…) Do you know any singular case?

-What does “a Spartan boy carrying the fox under his shirt” refer to?

-What are “Honey” and “19”?

-Can you describe Tom?

-What do you know about “Derek and the Dominoes”?

-What good memories do you have about your holidays?

-“It was her mother fault”. What do you think of your parents’ responsibilities for our successes and failures?

-“It feels more sympathetic”. What can this mean when talking about a pack of cards?

-What do you think it’s the best way to break the ice in an embarrassing situation? For instance: “Charming day, isn’t it?” “Pray, don’t talk about the weather. Whenever people talk about the weather, I always feel they mean something else.”

-Do you know an easy card trick?

-What is it the meaning of the card trick for Gina’s maturing?

-How did Gina change over the years?

-What kind of novel was “Winter’s Day”?

-What books did made you cry?

-At the end, who is the victim in this sentence: so that your victim wouldn’t be able to put a card down wrong?

 

VOCABULARY

clothes-wise, Laura Ashley dress, pinafore, hair slide, toppling, glass-topped wicker table, raid, S level, awe, duffers, retakes, disingenuous, pushbike, wetsuit, fitting, sundial, gnarled, conkers, sparely, ferreting, off-handedness, frowsty, herbs, scuttled, fry-up, double declutching, sec, loo, tipsily, estate hands, drawn out (coffee), till, entropy, takeover, longhand, overspill, floundering