Brickdust Row, by O. Henry

Audiobook

Script for a movie (a very free adaptation)

SUMMARY

Alexander Blinker, our hero, was a very rich man. His fortune came from “lands, tenements and hereditaments”. As he was a bachelor, and the summer was about to begin, he decided to go to the woods in the North to enjoy some holiday. He wanted to go immediately, but his lawyer said he had to stay in the city two days more in order to sign a thick collection of documents. He didn’t like the idea of spending two boring days more in the city, but he acknowledged the necessity of signing these documents.

To kill time, he went to one of his clubs, but seeing it was full of boring old fogies, all of a sudden, he said he would go to Coney Island. Coney Island is actually a peninsula in the South of Brooklyn, and it has a log beach and a big Fun Fair. Its visitors were usually ordinary people, not rich people as Blinker. To go there, he had to take a boat full of people looking for fun; but also, there was a pretty young woman sitting on a stool, alone. Blinker was not far from her; a puff of wind almost carried his hat away, but he grabbed it in a moment. The girl (whose name was Florence) acknowledged his gesture with a smile, thinking he was greeting her, and Blinker went and sit next to her. They began a conversation, and they introduced each other, although Blinker didn’t say he was very rich; instead, he said he was a bricklayer. Florence said she was a working girl, a milliner. And they started to like each other. Nevertheless, Florence was a bit suspicious about his name, but at least he didn’t say his name was “Smith”. They agree to visit the fun fair together, Florence acting as a Cicerone, as Blinker had never been there.

At the beginning, Blinker was a bit uncomfortable with so many people jostling around them and so many harsh lights and noises, but at the end he felt the place and the atmosphere romantic. They ride all the devices of the amusement park.

At the end, they had to go back home.

When they went aboard the boat, Blinker started to feel he was in love with Florence, and, when a steamer run into their boat and they were about to sink, he felt sure and declared his love. But she answered coldly to his passion and told him that all the men said the same; however, he tried to persuade her that he wasn’t like the other men. In answer, she told him she knew what men were like because she usually met other men she picked up on the street (she picked them up on the street because her place had no parlour, and so it was too small for inviting people). Blinker was now a bit puzzled.

In the end they landed safely but…

Did Florence accept his love? Did he tell her he was really a rich man?

 

QUESTIONS

-Do you think swearing / cursing is rude? Or does it depend on the situation? How do you vent your wrath?

-What kind of girl is Florence? Is she a kind of escort, or only a girl who wants some amusement?

-Perhaps this story reminds you of the film Pretty Woman. Would you be able to detail all the clichés this film has?

-In your opinion, is romanticism an essential feature of a good relationship?

-Can everybody change radically their way of life? For instance, can a robber become an honest man? How can do it? Or will our past never stop going after us?

 

VOCABULARY

estate, bay rum, thumb-handed, runabout, fogies, steward, roe, tittered, pier, brazenly, incog, bantering, millinery, trumpery, spangled, incorporated, drab, slip, yawed, rent, slats, bow, stern, wall flower

A Cup of Tea, by Katherine Mansfield

SUMMARY, by Aurora Ledesma

The story was written in January 1922 in the space of just 4–5 hours, and was published in a popular magazine, the “Story-Teller”, in May of the same year.

Rosemary was a wealthy woman, who had been married for two years to a very rich man, Philip Fell, who adored his family. Though she was not very pretty, she made up for it as she lived in extreme style and fashion. She always enjoyed organizing parties for important people and artists. She liked shopping in a perfect florist’s in Regent Street and also loved collecting antiques.

One rainy winter afternoon, after leaving an antique shop, Rosemary felt a bit upset, because she had not been able to buy an exquisite little box.  Suddenly a poor young girl came up to her and asked for the price of a cup of tea. Rosemary thought of doing something generous, like in the novels of Dostoevsky, and invited her to her house. Rosemary wanted to show that those nice things that happened in novels and fairy tales, about generous rich people, happened in real life also. At the beginning, the girl didn’t believe Rosemary, even suspected that the lady might hand her over to the police, but at last Rosemary took her home.

When they arrived at Rosemary’s house, she took the girl up to her bedroom and made her sit near the fire on a comfortable chair. Rosemary even had to help her take off her coat and hat, because she was very weak, but threw them on the floor. The poor girl cried and complained that life was too hard and that she was so tired of living. Then Rosemary consoled her and asked her servant to bring some food and tea.

When she was going to begin asking the girl about her life, her husband Philip came in. He was astonished to see the girl in his wife’s room, and he asked her to go to the library, where he tried to tell her that she couldn’t have a stranger in the house. Facing a refusal, he used the old jealousy trick and he praised the girl’s beauty. So Rosemary went out of the library, took three pounds, gave them to the girl and sent her away.

Afterwards, Rosemary dressed up, put on some makeup and tried to attract the attention of her husband. At the end, Rosemary didn’t know if she was pretty enough for him, and she wasn’t sure if Philip loved her either.

 

Some Reflections

In this story we can find some topical themes that the writer repeats in many other stories: The prominence of women, the social classes, the oppression of the poor by the rich, the materialism of the main characters etc. But in “A Cup of Tea” we also find the appearance in contrast to reality. Rosemary on the surface seems kind by taking care of the girl. However, her intentions are something else. She wants to receive the admiration of her “friends”. The reality of her intentions is full of hypocrisy. She helps the girl for her own interest.
Rosemary is also a prototype of jealousy and insecurity. When Philips praises the girl’s beauty, she forgets her good intentions and sends the girl away.

QUESTIONS

-How can you explain the differences between beautiful and pretty? Can you give some examples?
-The protagonist says “I hate lilac”. And the attendant “put the lilac out of sight”. So strong of the power of money? Can you give some more curious examples?
-Remember the seller in the “antique shop”: can you give some tips as to how to be a very good shopkeeper?
-Why would / wouldn’t you buy second hand things?
-What do you think of philanthropy? Do you think it’s a way to help poor people, or you think it’s useless for the poor and hypocrisy for the donor?
-Are all the women sisters (in their fight for their rights)?
-Are rich people more natural than poor people? Do you think very rich people belong to another species? Is it easy to recognize them?
-“If people wanted helping, they must respond a little”. How true is this sentence? Must you always accept charity?
-Is being very formal a feature of rich people, like when Philip says “Oh, what’s happened? Previous engagement?”
 

VOCABULARY

duck, beamed, cherub, plied, vile, pick-up, bowled over

STORY WITH MARGIN NOTES

VIDEO ANALYSIS

SUMMARY AND ANALYSIS

The Garden Party, by Katherine Mansfield

SUMMARY, by Begoña Devis

At the beginning of this story, Katherine Mansfield tells us how the Sheridan family is preparing a party in the garden of their mansion. The opulent family is made up of the parents and four siblings: one boy, Laurie, and three girls, Meg, Jose and the youngest one, Laura. The latter is the true protagonist, and the narrator will make us see the events through her eyes.

During the preparations, Laura receives news of the death of a neighbour, a carter named Scott, who lives in a neighbourhood next to the Sheridans’, but completely different, indeed. It is a poor, working-class neighbourhood, where people live overcrowded and in poor situation. In fact, Mrs Sheridan cannot explain herself how anyone can live in such terrible conditions, although that doesn’t really seem to worry her at all.

For Laura, it is evident that the party must be suspended; it seems indecent to her that the widow and her five small children, who have lost their father, have to hear the music and merriment of the party. But for both her mother and her brothers, especially for Jose (who enjoys giving orders to the servants, as it is said in the story, and who sings about the hardness of life only to delight herself in her own voice) it is a crazy idea. Just because the neighbours suffer (the death of a man), doesn’t mean that they have to suffer too (cancelling a party). For them, there was no difference between these situations.

Laura sees things differently, she does not believe in absurd class distinctions (she thought that), although the education she has received and her age make her manipulable and naive. At the beginning of the story, when she goes out to talk to those who are going to put up the marquee (this time the mother wants to be another guest, and Laura is delighted to be outside socializing with people of different class), she thinks that the fact of eating carelessly a piece of bread with butter in front of the workers will already convert her in one of them, and now, in the case at hand, just her vision in the mirror wearing a beautiful hat that flatters her a lot is enough to make her believe that her mother must be right. For her, in short, the working class is a blurry vision, something she only knows through newspapers.

This vision will change dramatically when Laura is forced by her mother to bring the Scotts a basket with sandwiches, cakes, and other food left over from the party (which has been a success).

When she enters the poor neighbourhood and sees what state these people really live in, she is ashamed of her luxurious dress, and especially her hat. She wants to leave quickly, but Mrs Scott’s sister politely invites her to go in, and even to look at Mr Scott’s corpse.

And it is this vision that will upset Laura the most. She sees a calm, relaxed man who no longer cares about parties or jobs. She feels deeply disturbed, and leaves there saying only “Forgive my hat.”

On her way home, she meets her brother Laurie, who has gone to look for her, and can’t find words to express what she feels and can only say “Isn’t life…”, to which her brother replies “Isn’t it, darling?”

 

PERSONAL OPINION

This is a story that tells us about the difference between classes, about the futility of a luxurious and easy life compared to a miserable and poor working life, especially at the beginning of the 20th century. The narrator uses Laura as a catalyst for those differences. She thinks with more freedom than the rest of her family, but she is too young and naive to fully understand the problem. But when she visits the poor neighbourhood, and especially when she sees the peace in the face of the carter’s corpse, she has a kind of revelation. Can her high class feel that peace with the meaningless life they lead? Can it be felt by someone who wonders how the poor can live this way without doing nothing to change it, someone who subtly blames them for their situation, as if they had chosen it voluntarily?

I think that when Laura asks for forgiveness for her hat, she is actually asking for forgiveness from her neighbours for belonging to a class that humiliates them and that gives them the leftovers of their food just to make them feel their superiority.

The fact that Katherine Mansfield has once again chosen a woman as the protagonist of a story against the established norms of her time tells us once again about her revolutionary character and her recognized feminism. Laura (a woman) has had a revelation. Laurie (a man) seems to understand his sister when she can’t find words to describe her feelings, but is that true? Can he, who has not entered the house or seen the body, understand Laura’s confusion? We will never know.

QUESTIONS

-They say the girls’ names are after the protagonists’ names in Little Women. What do you know about Little Women? Can you consider it a feminist story?
-Working people and well-to-do people use different levels of language. Is it possible to break the barriers between these two kinds of people? How?
-According to you, who has righter feelings for the dead man’s family, Laura or the rest of the family? Are Laura’s condolences an intrusion in the family’s pain? Do every social class have to limit their sympathy to their own class?

 

VOCABULARY

mowing, marquee, staves, lanky, haggard, looped up, pressing, meringue-shells, castors, playing chase, print skirt, cream puffs, icing sugar, carry one back, yer, shied, relish, prowls, sympathetic, cooed, poky, fray, becoming, frock, palings, crutch

MOVIE

Film (from minute 27:45 on)

SUMMARY AND ANALYSIS

CLIFF NOTES

MORE ANALYSIS

How Pearl Button Was Kidnapped, by Katherine Mansfield

SUMMARY

Pearl Button is a little girl living in a big and rich house, a kind of house that she calls House of Boxes. At the moment of the story, she is playing in the garden, when two big and fat women (perhaps native New Zealander people or gipsies) get there. They liked the child very much and offer her to go with them. At first, the girl has some doubts, but, as the two women seem very nice and wear coloured robes, she decides to go. So they go away from the girl’s house on foot, but, after a while, the girl feels tired, and one of the women carry her. They arrive to their camp; there everybody is very nice, and they give her some fruit. She likes it very much, and, although she stains her dress, nobody worries about it. Then they leave their camp and drive on carts until they reach the beach; Pearl has never seen the sea and she’s amazed and happy. She sees the small houses where these happy people live; the women take off her clothes, and all of them go to the shore. A small wave wets Pearl’s feet and, after the first surprise, she enjoys it very much. But, at this moment, policemen arrive to rescue the girl.

But, was the girl really kidnapped? Or is it better to say that she ran away from her boring life? Were the two women kidnapping her? Or were they only inviting her?

To be happy, do you have to break the rules, do you have to escape from the routine?

There is a narrator in this story, but sometimes this narrator uses the characters’ words and thoughts to tell the story, e.g., “House of Boxes”. What is the effect of this? Don’t you feel nearer the characters? The distance between narrator and character is broken and you are aware you know better their feelings, their points of view.

AUDIOBOOK

 

QUESTIONS

What does the name’s girl suggest to you?

What resources does the author use to make the two women nice for us?

What does a “House of Boxes” look like?

Do you think the girl cried because she was afraid? How do you know?

“The woman was warm as a cat”. What animal do you think is the best pet for a child? Why?

Are fat people nicer or kinder, according to the cliché? Are they more “comfortable”?

Why dies the writer says “[the water] stopped being blue in her hands”?

Who were the “little men in blue coats”? How do you know?

What do you know about the Stockholm syndrome?

 

VOCABULARY

swung, rugs, whip, briar, nestled, purring, paddock, coaxed