The Doll's House, by Katherine Mansfield

SUMMARY, by Dora Sarrión

The story began when Mrs Hay brought the Burnell children a doll’s house as a gift. The house smelled of new paint, which the adults disliked, but it was so marvellous for the three daughters of the Burnell’s family, Isabel, Lottie and Kezia, that they didn’t mind the smell. It was very well decorated with little furniture and dolls inside. Although everything was perfect in the house, Kezia, the youngest sister, paid attention to a small lamp, which she thought it was the best part of the house.
They were eager to go to school and tell their classmates about their new gift.
But Isabel told her sisters that, because she was the oldest, she was going to explain to their classmates about the doll’s house, and to decide which classmates were going to see the house in person.
The next morning, during the playtime at school, Isabel was surrounded by her classmates waiting for her explanation about the details of the house. But not every girl could approach her. Lil and Else Kelvey couldn’t.
The school was not as sophisticated as Burnell parents would like. Because they lived in a remote area, the school contained students from several demographic and economic backgrounds. The children of wealthy parents separate themselves from their socio-economically disadvantaged classmates on the playground. The Kelvey sisters were the poorest students at school. Their mother was the village washerwoman, and everyone in the city said that their father was in prison.
Like their classmates, Else and Lil were fascinated by the explanations about the doll’s house, but they couldn’t participate in the conversation, they could only overhear how Isabel was proudly describing it. When Isabel finished, Kezia reminded her to mention her lamp, even though no one else seemed to care about it.
Isabel chose the first two girls who were to come back with them that afternoon to see the house, and said that everyone was going to have a chance in the future to see it. Only the Kelveys knew they will never be chosen.
One day Kezia asked her mother if she could invite the Kelveys to see the doll’s house, but Mrs Burnell refused it, and at Kezia’s insistence, she answered “Run away, Kezia, you know quite well why not”. But she didn’t understand.
As the days passed, almost all the children were amazed at how wonderful the doll’s house was. But there was a moment when everyone had seen the house except the Kelveys, and, as it seemed that the subject was beginning to languish, the girls decided to make fun of the Kelveys sisters; but their reaction was only silence, so this new adventure of making fun of them did not seem to have much success.
Later that afternoon, when Kezia was at home swinging in the courtyard, she saw the Kelveys coming in the road towards her. She invited them in to see her doll’s house. But Lil shook her head quickly and reminded her that they weren’t supposed to talk to each other.  Kezia assured that it didn’t matter what her mother said, that they could come in and see her doll’s house because nobody was looking. Lil still didn’t want to go in, but Else, standing behind her, tugged at her dress and looked at her pleadingly.
Kezia leaded the girls inside the courtyard, but while she was showing the house, Aunt Beryl arrived and shouted furiously at her. She shooed the Kelveys out as if they were chickens, and she slammed the doll’s house to.
Lil and Else ran away scared by Aunt Beryl, and when they could no longer see the Burnell’s house, they stopped to take a break. They didn’t say anything to each other; in silence they looked at the landscape; Else approached her sister, caressed her, smiled, and said softly:
“I saw the little lamp.”

I think in this story there are several interesting topics to discuss, but in my opinion, the relationship that the writer establishes between Else and Kezia through a lamp is fascinating. Both characters are different from the rest of the members of their families: Else is quiet, but she is clear about what she wants to achieve, she is not afraid, and Kezia does not understand the reasons why she cannot talk to the Kelvey sisters, and she is breaking the rules.
And they are both united by a lamp, which, in my opinion, would be the symbol of hope for change.

QUESTIONS

-What do you know about A Doll’s House, by Henrik Ibsen?

-Is there any solution to avoid giving sexist toys to the children?

-What was your favourite toy when you were a child?

-In the story, there seems to be a bullying problem against the Kelveys. Did you feel this problem when you were at school?

-Are you in favour of mixing children of all condition in the same school? In your opinion, do the parents have to have the right of choosing the school for their children?

-“Even the teacher had a special voice for them [the Kelveys]”. When we talk about bullying, we usually think it is something between students. But what happens when the teacher is involved in the situation?

-Why do you think the narrator says “our Else” instead of only “Else”?

-According to your point of view, why Kezia decides to show the house to the Kelveys?

-Why was Aunt Beryl so angry when Kezia showed the house to the Kelveys? Were her reasons the same as Kezia’s mother’s?

-Were the Kelveys happy in the end? What is a “rare smile”?

 

VOCABULARY

feed-room, slab, toffee, papered, traipsing, bossy, tarred, palings, roll (was called), Nudging, shunned, spry, freckles, quill, cropped (hair), made eyes, snapped, sell, titter, buggy, thieved out, buttercups, shooed ... out

AUDIOBOOK BBC

AUDIOBOOK THE GUARDIAN

Frau Brechenmacher Attends a Wedding, by Katherine Mansfield

SUMMARY, by Josep Guiteres

In this story we have the themes of gender roles, domination, submission, control, identity and tradition.

Throughout the story, Frau Brechenmacher is always at the disposal of her husband.

When her husband arrives home, the Frau has already prepared all the clothes for him to go to the wedding, making sure that he would be ready before her.

Even the Frau uses her daughter Rose to help her to prepare his husband’s things for the wedding. In reality, she is teaching her how to serve her husband.

When the couple goes to the wedding, he walks in front of her it as if there was a hierarchy that the Frau had to follow, that is, the Herr occupies first place in the entire story.

When they arrived at the place where the wedding was being held, the Frau sat next to her friend Frau Ledermann, who told her that it was very striking that her skirt was open at the back; but she was so attentive to her family that she forgot to take care of herself.

At the wedding it seems that men and women are separated as if each one had their own place in this event.

According to the conversation between the two women, the bride, who already has a daughter, did not want to marry anyone, but agreed to marry due to the traditional composition of the family.

When the Herr gave the gift to the bride and the groom, of all those present, the Frau was the only person who did not laugh, possibly because for her the gift symbolizes the result of her life.

When the couple arrived home, the Frau prepared dinner for her husband, an obvious sign of submission to the man. The Frau went to bed and curled up like a child, and this position tells us that she has not grown since she has not had the opportunity to develop her own life.

QUESTIONS

-They leave the children alone in the house. How has our concept of safety changed? Can you tell an example of it that shocks you?

-The father was the top authority in the family, and he had the monopoly of violence. How has it changed?

-How do you know the Brechenmacher family is a low-class family, and what details show us that they pretend to be of a higher class?

“Giving her [the bride] the appearance of an iced cake all ready to be cut and served in little pieces to the bridegroom sitting beside her.” What in a current wedding ceremony goes on showing the male domination, according to your view?

What stories with illegitimate children do you know? Tell us a summary of one of them.

How could be possible that a woman is more male chauvinist than a man?

Herr Brechenmachen carries “the coffee pot to the bridal pair… She lifted the lid, peeped in, then shut it down with a little scream”. What was inside the coffee-pot? What can be the meaning of this present?

-How can you imagine Frau Brechebnmachen wedding night?

 

VOCABULARY

muddled, cinders, fir, saucers, overawed, bows, perspiration, froth, wedged, dandle, clout

ANALYSIS

AUDIOBOOK

Lore (video: watch from minute 140)

Feuille d'Album, by Katherine Mansfield

SUMMARY, by Núria Lecina

The title is the same as Chopin’s musical composition that remembers love in spring, when new flowers and leaves begin to grown. This piece was dedicated to the countess Szeremtieff.
The text is narrated in the third person by an unknown narrator. In some moments, another narrator takes part with some question or comment. There are a lot of changes in the narration. The text it’s full of descriptions of the main character, other people and places or atmosphere.

Ian is the main character. He is a young painter who lives alone in Paris, in a typical French building in a top flat in front of Senna’s River. The description that Katherine writes shows us different aspects of the boy, sometimes contradictory.

We read that at first glance he seems an interesting man, elegant, clever and handsome. In spite of that, we read that he also is an impossible man, unbearably heavy and especially shy, very shy. He has difficulties to achieve a normal social relationship, and his relationships with women who are interested in him always end badly. Ian doesn’t answer to the kindnesses of these women. He hides inside his shell, like a tortoise. He closes and disappears.

He lives in his own world; he has an introvert life with his own routines. He is excessively tidy with home things. He thinks about his economy and the way to organize his savings. All in his life has to follow some pattern to be right. For instance, in front of his bed, there is a notice with this advice: GET UP AT ONCE.

One afternoon he was in the window having a snack when he saw a girl in the building across the way in front of him. The girl went out to the balcony with a flower’s pot. She was a bit odd in her clothes and maybe in the way she spoke to another person. He didn’t know who spoke to her. Perhaps somebody she lived with?

At this moment Ian understood that she was the only person he really wanted to meet. She appeared to be the same age as him. He fell in love with her just at that moment. He began to imagine things about her life and also how his life would be like with her. But the girl did not notice the presence of someone watching her. She carried on his routines.

From this day, he felt a change in his life: he had a challenge and this was to get as fast as he could a new pattern of behaviour to order his routines and actions: NOT TO LOOK AT HER AND NOT TO THINK ABOUT HER UNTIL THE PAINTING IS FINISHED.

Ian wanted to meet the girl, but he hadn’t any idea of what to do. He didn’t have experience in this matter. His shyness drowned him. Every day he observed the girl, every time he had more and more desire to meet her. One day he discovered that every Thursday she went out with a basket, probably shopping. One Thursday, when the girl left home, Ian decided to act. He went down to the street and followed her. He saw more and more clearly that they were soulmates.

She seemed lonely, serious. Then he saw the opportunity. She entered a shop and bought an egg, only one. The same that he would have chosen. When the girl came out, he went into the store and bought the same. Quickly he followed her, and when she arrived to her building and entered the lobby, he went in behind her and said:

“Excuse me, Mademoiselle, I think you dropped this”, and he showed her the egg.

And he handed her his own egg!!!

That scene seems taken from a basic manual to begin relationships. Maybe the object isn’t the most appropriate, but I hope everything will work very well with them.

 

PERSONAL OPINION

As in Chopin’s composition, Ian finds love, and it appears suddenly, like leaves (feuilles) and flowers in Spring. In this short story, Katherine Mansfield presents the awakening of the love in a young man. One man that, in spite of his difficulty with relationships, has the same emotions and feelings as the other people.

In my opinion, Ian suffers some dysfunction in social abilities. He constantly needs rules for his actions, he always needs order around him. It seems he is afraid in front of new situations; this is, from my point of view, the reason why he doesn’t answer people and hides like a tortoise. Maybe he suffers from some minor autistic disorder.

QUESTIONS

-Why does he say “you nearly screamed” when the boy was in your studio?

-Who was the person “who started to give him a mother’s tender care”?

-When do you know that someone is an artist?

-What kind of pictures do you imagine Ian French painted?

-How do you imagine the family’s girl and the girl’s character?

-Why did he give her an egg at the end of the story? What does the egg symbolize?

-What is the meaning of the title?

 

VOCABULARY

rousing, stony, rag-time, Broken Doll, fishy, ladling, booths, awning, still life, spangle, peppered, daffodils, draper's, dairy

 ANALYSIS

ANOTHER ANALYSIS

MEANING OF THE TITLE

Her First Ball, by Katherine Mansfield

 

AUDIOBOOK

SUMMARY, by Glòria Torner

This story that goes from innocence to maturity can be divided into four parts:

1. Before the ball. Is the cab her first partner of the ball?

Remembering her first experience, a young girl, named Leila, is about to attend her first ball escorted by their cousins Laura, Meg, Jose and Laurie. She is sitting into the cab, and she is so excited that she is looking everything as if it is waltzing because she feels like she is in the real ball thinking and imagining that her first real partner is the cab.

Leila is talking to their cousins because they are surprised that she is so nervous. She attends the ball with a feeling of great expectation because she is a country girl who has never been to a public ball. Their cousins, who know that Leila is naive and innocent, and they come from the city, and they already have some ball experiences, take care of her and protect her.

2. Before entering to the saloon

Leila and their cousins, the Sheridans, arrive at the drill hall. Laura is helping Leila to push to the noisy ladies’ room, where women are busy getting ready and making the last minutes adjustments.

From the door, Leila’s emotion and excitement is increasing with the beauty of the room with golden floors, red carpets, lights and the elegant atmosphere. How Leila’s perception of the ball is that of a dreamlike event! She begins to listen to the music, and the dance programs are passed out. And everything is ready.

3. During the ball

The men stand at the opposite side of the ballroom, and they appear in front of the ladies waiting for the dance to begin.  The music starts, and the men walk over to pick their respective partners.

The ball is on! When Meg cries “Ready Leila?”, Leila begins to dance. The feeling of joy during her first and second partner is clear. Leila enjoys very much dancing spontaneously, because she had learned to dance with girls at the boarding school, but with a male partner is fantastic!

But with the third partner, the fat man, the story changes, the climax starts. This is the part where the tension is the highest because this older man paints a bitter picture of Leila’s future. He is an experienced man who believes he recognizes Leila from another ball, but this is impossible. He begins to dance with an inexperienced Leila. This man manages to ruin her night with just one dance. At that moment, Leila doesn’t want to dance anymore because this old and fat man discourages her.

3. The end. The last dance.

Now we are reaching the outcome. The fourth and last partner, a young man, bows before her and she decides to dance with him. Now she begins to feel again the fantastic emotions she has felt before. With every turn and every glide, she forgets the bad sentences the old man has said to her before. Suddenly the ball seems beautiful again.

Some remarks.

I don’t know if the antagonist, “the fat man,” was trying to ruin the Leila’s night, or he wants simply to warn her.

I imagine this story is set in the early 1900s, in New Zealand.

From the folk stories as The Cinderella or The Red Shoes to some modern films as Billie Elliot I think this theme is a topic in literature, dance or movies.

Don’t you think we always remember our first ball?

QUESTIONS

-Do you remember your first ball? Or the first time you did something that only older people did?

-What keepsakes do you have?

-Do you think dancing has to be a social skill for everybody? I mean: do you think children have to learn it at school? Can everyone dance, or must everyone have the knack? Do you think black people have the art of dancing in their blood?

-Do you think they are things that they ever won’t be “feminist”, like dancing or weddings?

-Have you ever acted as a chaperone?

-What is the best way to not disappoint your desires?

-According to your opinion, why is the old man so cruel with the girl?

-With young people (or with people in general) is better to be optimist or to be pessimist?

-Do you think the main feature of young people is the ability to recover soon from blows? Do you have any examples?

 

VOCABULARY

bolster, bowled, keepsake, drill hall, dash, wraps, cotton, tassels, strung, gilt, under my wing, freckled, yore, calico, clutched, French chalk, Twinkletoes