Second Act: The Importance of Being Earnest, by Oscar Wilde

The place where the second act is situated is in the Manor House, in the country.
As we already know, Algernon Moncrieff has surreptitiously got Cecily’s address and is determined to visit her, as he has fallen in love with her… without even having ever met her.

The first scene is in the garden. Cecily is studying with Miss Prism, but she doesn’t like the subjects her governess proposes her.

Unexpectedly for them, Algernon arrives under the name of Ernest Worthing, the wicked brother invented by Jack Worthing. Cecily is so happy to meet him, that she immediately falls in love with him.

They both go in the house and, while they are inside, Jack arrives and communicates the sad news of his brother death to Miss Prism and Dr Chasuble, the parson, without knowing that Algernon/Ernest is there. A moment later, Algernon/Ernest and Cecily come out to the garden and meet them. Jack has a big surprise and has to pretend that Ernest death has been a misunderstanding or a bad joke.

In the second scene, Gwendolen arrives to visit Jack/Ernest, and she meets Cecily. Then they are enormously puzzled because they both say they are engaged to Ernest. Fortunately for them, they discover that they’re two different young men, and that none of them (unfortunately for the boys) is called Ernest. Cecily and Gwendolen are very disappointed, but they end forgiving their lovers.

The Enemy, by Tessa Hadley

SUMMARY, by Alícia Usart

This is a story about a girl named Caro, who met a boy named Keith in a meeting of the Revolutionary Socialist Student Federation, at her university.
She had bought a new trouser suit for the occasion; she was very proud because this dress made her feel sure of herself and attractive at the same time. In addition, she was approved by some of her companions.
When she met Keith for the first time, she found him very attractive and charismatic; furthermore, his Welsh accent made women melt.
Unfortunately for Caro, when he approached her, he reproached the way she was dressed (not appropriate in a Revolutionary meeting).
She felt humiliated; however, she remained calm, but she kept thinking how she could take revenge. Since then, he was her enemy.
After the meeting, all the visitors went to an old house where Caro and Keith had a long night arguing together.
When everybody went to sleep, Keith disappeared, and, the next morning, she was shocked to find him sleeping with her older sister Penny.
Later on, Penny and Keith had a relationship during twenty years in which Penny had struggled with him, bearing all his bad behaviours towards her and their children, changing his behaviour to a softer one, after she finished with him, and he started a new relationship. Caro had supported her sister in all difficult moments she lived with her husband, to the point of moving where they were living, in Cardiff, Wales. 
Finally, Penny ended this relationship after she had a third baby and moved near where she and Caro were born.
Keith met another girl, Lyne, and they lived between London and Dordogne. In the end, it was Caro who was left living in Wales.
And then, one day he had to come to Cardiff to talk to some people about a new film project, and she received him at her house.
She spent all day shopping and preparing a meal which was eaten in an hour or so, but she enjoyed all this work.
They talked about old times and old idealisms. After all, she realized that she was not the same person now at her age of fifty-five.

QUESTIONS

Keith was a revolutionary, but now he understands in wines. All the time there has been a debate: Can a revolutionary eat delicatessen, own luxury cars, wear expensive clothes? What do you think?

Why was Keith an enemy for Carol, according to Carol?
Are there clothes for activists, and clothes for posh people?
What do you know about lefty parties, as Trotskyists, Maoists…?
What was Caro wearing at the revolutionary meeting?
Did you stop seeing someone because of your different political views or religion beliefs? Have you read Fred Ullmann?
Are boys more revolutionary than girls?
Are science students less revolutionary than art and humanities students?
Is still there machismo in the revolutionary ranks?
What do you think of wolf whistles and catcalls?
Can students (they usually come from middle class or rich families) be truly revolutionary?
Being a revolutionary leader, was something like being an alpha macho?
Why do you think Keith choose Penny and not Caro?

They mention "the way that men chose women". What is that way?
Is marriage a fatal destiny for most of the women?
Can you remember the incident with the gun? What can this tell us about Keith character? What is the meaning of this incident in the story? Why does the authoress decide to tell us about it?
Personality versus artistic talent: Does the personality of a writer create a bias in his or her works or in the way we read his or her books?
What are your lost illusions?
What do you do in your hairstyle o dressing style to keep you young?

Are patriarchal systems linked more to human evolutionary biology than to cultural environment? Give your reasons.
She accommodated his enemy in her house, but she cooked him an elaborate meal. Why? Did she feel she was receding to the traditional female role?

VOCABULARY

yawn, faltered, restless, stir, upset, prowled, PA, thane, eke, grant, trendy, fug, wolf whistle, Agit Prop, currency, muddled, scalding, mock-, motley, politicos, hassle, sparring, Enoch Powell, overstating, squeamishness, countenance, obnoxious, teasing, sheer, auburn, cosy, council house, bleak, estate, raucous, predicament, feted, basking, stern, pithead, winding gear, leads, tenants, pottered, DIY, gnawed, maudlin, skittles, rag, dreary, infighting, welfare, Black Dwarf, brimming, spills, fug, jacknifed, rangy, quaked, tuiles, bara brith, thwarted

The Surrogate, by Tessa Hadley

The Surrogate

SUMMARY AND ANALYSIS, by Nora Carranza

Carla is twenty years old and studies at a college. Patrick is a Shakespeare and XVII century poetry lecturer. He is seven or eight years older than his students.

He is tall and thin, has a small beer belly and wears glasses. Maybe he isn’t particularly good-looking, but Clara, in the circle of chairs of the lecture room, loves all his gestures and body details.

Despite her feelings, the girl is aware that she is only an average student, although sometimes the professor remarks some of her sharp views. She has no expectations; she believes she is not beautiful: at school, the kids called her “frog face”.

Clara, after the reading of an old moving poem, understands that she is shut out the professor’s life.

Anyway, Clara dreams about Patrick permanently, she spends hours imagining varied situations that would allow them both to meet, and that eventually he would fall in love with her. In her favourite scene, they walk through a green meadow and reach a gate that opens to a wood. The scene has a romantic atmosphere, and crossing the gate represents the passage from their single life to their life together. However, when the fantasy reaches the moment of kissing, Clara gets lost, confused, and she cannot go ahead. This is not the real thing.

At the second year at college, Clara was short of money and got a job in a pub, not at all a fashionable place like the old traditional pubs. No students or lecturers go there for a beer, but groups of men to watch sports in the TV screens.

One evening, while attending normal duties, Clara for a moment believed that Patrick was there, and she panicked. But the man there only looked like Patrick, in many aspects. Nonetheless, he didn’t have the educated accent of the professor and seemed very shy.

Yet the man came back with his friends again and again. She knew that he (whose name is not mentioned) wanted to see her, and his friends made fun of it.

The differences between the pub visitor and Patrick were evident for Clara, but all the same, she initiated their singular relationship.

For a couple of months, they didn’t really go out together, they did only one thing together, until she went on holidays. She pretended that it was Patrick who made love to her, but eventually admitted he wasn’t. In fact, the lover was Dave, here is the name he had.

Surprisingly, the story changes a lot because, after some time, Patrick and Clara got married! He had always loved his student, and one day he went for her. The dream came true.

With the time and life together, love changes, ideals disappear and everybody has to deal with real persons. Clara accepts that, and thinks she loves her husband, and they make a good couple.

She never met Dave again, she doesn’t even know his surname. When she remembers that time, Clara feels quite embarrassed, thinking how she treated him, wondering why he accepted that, what feelings he had.

A new surprise arrives with the end of the story: Clara is having fantasies again; this time Dave goes to her house, as the gas engineer he was, and, instead of repairing the boiler, audaciously starts kissing Clara.

Is this another dream to come true?

Does Clara need to escape her everyday life changing protagonists in her fantasy? Does Clara want to compensate her previous behaviour with fantasies?

Do we need fantasy to cope with real life? Do we always have fantasies about hidden desires and keep them secret?

QUESTIONS

-Does being in love with one’s teacher improve one’s learning? Why so? Why not?

-Why do you think we move our hands when we speak?

-What details that aren’t particularly attractive did the narrator like in her teacher?

-What do you know about Much Ado About Nothing? What “freedom of choice” is there in the play?

-Do teachers prefer getting in love with clever students or with attractive ones?

-What do you know about the Henry King and his poem mentioned in the story?

-Do you like reading poetry? Do you have a favourite poem / poet?

-What was the meaning of the image of the field with “bullocks jostling and clambering on to one another’s back”?

-What could be a difference between infatuation and real love? Was Carla only infatuated, or was she in love? How do you know?

-Tell us about Patrick and Carla’s personality and physical appearance.

-Why wasn’t any sex in her dreams?

-What do you know about Coleridge and The Ancient Mariner?

-Have you ever been to an English pub?

-What kind of job is a waiter / waitress? Is it well paid? Is it a qualified job?

-The surrogate was shy and so perhaps not very clever, according to the narrator. Do you think there is a relation between character and talent?

-What could be the difference between sexual harassment and seduction?

-“People come in physical types.” How true is this sentence?

-According to the narrator, flirting with the surrogate wasn’t dangerous because she wasn’t in love with him. Why love could be dangerous?

-What do you think about cleaning your car / flat in expectation of a flirt?

-She was bored when the gas engineer told her about his job. What is the kind of conversation that bores / bothers you most?

-“He was a man: he didn’t turn me down.” Is it always true? Is it a cliché? Have a look at this: No means no in older times: scene of Love for Love, by Congreve (Act II, Scene XI)

-What is your opinion about the theory that says love only lasts three years?

-Would it be a good idea to tell Patrick about Dave? Why?

-Why, in your opinion, does she dream now about Dave?

-Why was there in her dreams a transition from romanticism to pseudo pornography?

 

VOCABULARY

lectures, smitten, moonly, picked --- out, average, quirky, insight, delude, singled --- out, strip lights, bullocks, exacting, investment, stranded, calling, muggers, aftermath, Dispiriting, gloomy, atmosphere, quaint, local, old-timers, optics, besotted, cap sleeves, demeaning, heated-up, seeped --- in, lurches, hurtling, infatuated, hoarded up, pliably, contrive, hover, serve up to, reckless

Holly and Polly, by Graham Swift

Holly and Polly, by Begoña Devis

SUMMARY

Holly and Polly are two young girls who work in an assisted reproductive clinic. Holly is cheeky with men, she likes saying that they work in an introduction business and teasing them, making them guess what they do.

Holly is also irreverent, she likes making jokes, like creating Latin phrases to describe the sexual act, such as “penis in vagina intro-duxit”, and answering “et semen e-mi-sit”, as if it were a chorus of monks.

Polly is amazed at Holly’s nerve. She’s also shocked at his blasphemous behaviour, despite having been raised as a Catholic. But at the same time, Polly is attracted to her. It is the attraction of opposites, as Polly is shy and quiet, meek and mild.

One day, Holly asks Polly out, who realizes that she is also a lesbian, and that makes her very happy, because she has fallen in love with her.

Polly thinks about how unlikely it is that they ever met. It is as difficult as both, the sperm and the egg, meeting at the right time in a pot at the clinic, which they enter the next day as a couple. And she is also thinking about how ironic it is that the fact of playing God creating a new life is in the hands of two lesbians, who never mixed eggs with sperm in their private lives.

Nonetheless, they’ve found each other, and Polly thinks they don’t need to be ashamed of being a couple. How can they be ashamed of anything in a place where eggs and sperm pass through their hands all day? They have met in the right place. They are happy there, wearing green, like two peas in a pod.

 

PERSONAL OPINION

My personal opinion is that it is a difficult story to read, because it uses a large amount of colloquial language and expressions unknown to me.

As for the story itself, the author is ironic all the time about the fact that two lesbians have in their hands the ability to create new lives using spermatozoa and ovules.

Deep down, he is ironic about how things happen in life, how unlikely it is that the things that happen to us really happen to us, or that we meet the right person at the right time. Actually, everything is amazing in life.

It is also a reflection on the fact that everyone can lead the life they want, where they want, without being ashamed of it.

QUESTIONS

What can it be, the relation between the title and the story?

What do you think of artificial insemination? And what about being a mother without a father? Or about surrogate mothers? Would you prefer one of these methods, or adopting?

What are the two different meanings of the word “date”, or what is the pun between “dating agency” and “getting the date right” at the beginning of the story?

“How things come together in this world”: what do you think is best, design or random? (Think about deciding sex, eyes colour, skin colour…)

Why is it a joke to come from Kildare and have to wear green?

Why is their job similar to being God?

What can it be, the “touch of red in her black hair”?

Do you believe everyone has their “type”? Is there a different type for every different person?

Why does Polly mention Northern Ireland?

Do you trust in young people for important jobs?

For a couple in love, what is it better, to be opposites or to be similar?

Who can give a better piece of advice, a person that is “in” or a person that is “out”? For example, a catholic priest to a marriage, or an out looker to a player.

What do you know about Wilmslow?

Can you guess at a first sight if someone is in love, or if a pair of friends are “friends with a benefit” or lovers?

Are you able to know someone’s sexual preferences at first sight?

 

VOCABULARY

home in on, edge, give up, fellers, youse, turn-off, turn-on, mucky, comprehensive, B.Sc, scrubs, teasing, brashness, being up for it, plainsong, had me in stitches, shred, smoothie, buck passer, lark, detachment, gash, tilt, toss, scrub cap, pod, bumped, coy, canny

As Much Love as Possible, by Graham Swift

As Much Love as Possible, by Nora Carranza

“As Much Love as Possible” explains an apparently eventless evening when two old friends, Alec and Bill, spend a few hours drinking whisky.

Alec invites Bill to come home and share a bottle of an old and appreciated Macallan, considering that his wife Sue would be out with her friends. Bill was also alone, his wife being away with her parents.

When Bill arrives, Sue is about to leave, and looks fantastic, it seems she has a kind of shine in herself. She welcomes Bill with a generous hug.

Years ago, Bill didn’t try to make any move to approach Sue, he considered she was the right girl for Alec, and gave the precedence to his good friend.  It was a good decision and, in a short time, he met Sophie, they got married and had two kids.

Alec and Sue took some years before they had twins, probably they enjoyed that time just for them together. By now, the twins were 4 or 5 years old, Bill wasn’t sure, although he was their godfather.

Alec had forgotten to call the taxi for Sue, but Bill offered himself for a ride to the restaurant.

But when Bill drove to the restaurant, he felt as if he and Sue were a couple having a date. Sue was grateful to Bill, explained about her two friends, they all had gone to the same hair academy, and now each one had her own salon, financed by Alec.

Bill asked himself when he and Sue will be together in such an intimacy and exclaimed, “I love you, Sue. I love Sophie, but I love you. Don’t you think there could be as much love as possible”? As an answer to that, Sue approached and gave Bill a soft kiss.

They say formal goodbyes, but Bill remarked, “I can see down your top when you lean”.

Later, Bill and Alec spent the informal evening drinking the Macallan and eating the pie Sue left for them.

Bill knew he had to stop drinking alcohol, he wanted to go back home driving his car, and avoiding having to sleep in the spare bedroom in that house.

Nothing notorious seems to have occurred during the facts described in the story.

Finally, Sue returned home at about half past eleven, not very late in Alec’s opinion. She looked as before, with her natural inner light, after the “girls” night out.

When Bill asked Sue about her evening, she replied she had the “most wonderful evening”.

 

I think that, as in many other stories of this author, we can imagine different motives for the actions of the characters. Perhaps Bill was moved by old feelings, hidden in his heart, that reappeared at that moment of unexpected proximity with warm Sue.

Bill was moved when he saw the twins sleeping, remembering his own children. Was he resenting his words to Sue? Was he thinking about his friend Alec, who ignored what had happened?

And Sue, why was she so happy, because of her time with the girls, or because the feelings she provoked in her husband's friend?

QUESTIONS

-There is a word repeated several times, “decent”. What does this word mean for you?

-“Girls night”, “boys night”: what do people do in these nights? Why are they different?

-Alec says that the bottle of whiskey fell off the back of a lorry. Do you think it’s true? If not, why does he say that?

-Do women tend to dress more carefully than men (they are only wearing “woollens”), more “decorated”? In this sense, do you think women use more icons than men on the whatsapp conversations?

-Why didn’t Bill marry Sue? Don’t you think he excused his decision with poor arguments? So, why does he feel something for her now?

-Usually, people get less attractive when they grow old (they say). How can they reverse it? Or is it the way we see people?

-What made you suspect that that night she had tender feelings for Bill?

-Bill felt attracted by Sue’s attire (she shimmered). But there was also something in her personality that seduced Bill: what was it?

-We’re having again a question we’ve debated before: is it possible to love two girlfriends / boyfriends… at the same time?

-Why do you think she kissed him when he told her he loved her? Was his love for Sue platonic? Was it a loving kiss, or a compassionate kiss?

Why wouldn’t Bill like to spend the night in their spare room?

What do you know about the film Un rencontre (“Reencontrar el amor”, in Spanish), starring François Creuzet and Sophie Marceau?

Why do you think she wasn’t awkward in any moment?

Do you think she came earlier from her dinner because she wanted to see him?

In your opinion, her wonderful evening was because of the girls’ night or because what Bill said to her?

 

VOCABULARY

ushered, soldiered, yersel, cardiganed hug, shepherd's pie, dastardly, woollens, ditzy, shrewd, best man, hitched, shimmer, puffa, tumblers, quandary, breast-beating, sparko, buster, contritely, scoffed at, bogus, rueful, bubble, sloshed, cane, mop it up, waxing, Caledonian, haggis, mon, schoolmasterly, slobs, garbled, wee, smarting, blunder

Half a Loaf, by Graham Swift

Half a Loaf, by Glòria Torner

The story has four parts:

PART I. PRESENTATION

The first words we read, “half a loaf”, are the repetition of the title and also the synthesis of all the story.

The narrator is remembering the last lovely night he spent with his girlfriend, called Tanya, and he is imagining how she is returning home alone, as many times, after making love with him. He is thinking that everybody is looking how beautiful his lover is while she is walking along the street and descending to the Tube. He is waiting for the next time he will reach out and touch Tanya.

After that, he describes how important has been for him in his life the religious influence of his strict father, who was a churchman, and also the drastic opinions of her mother wishing him happiness, although she used to say: “all good things must end”.  

PART II. ERIC, THE OSTEOPATH

Now, we know that the narrator, called Eric, is a widower osteopath who has lost his wife, Anthea, three years ago. He describes how sad he felt when his wife died, until he fell into a deep depression. At that time, he only thought about ending his life and thus being with his dead wife.

PART III. TANYA, THE PATIENT

While he was suffering this mental breakdown, he met a new patient, Tanya, a young woman, twenty-six years old. He quickly cured her of a lower back problem and began a love affair with her. Following the story, Eric asked her to have dinner with him and they began a relationship spending since then a night together every week. He sought solace in the company of Tanya, all the while imagining and reconnecting with his dead wife, who encourages him saying “go on”. He can’t disconnect himself from his past.

But Eric has a presentiment: he thinks this love affair will end soon.

Part IV.  NATHAN, THE BOYFRIEND

Following the story, two months later, we clearly notice that Tanya has a regular boyfriend, Nathan. Eric, who isn’t jealous, shares her with her boyfriend. Now, he tries to understand if it’s possible to share his lover with Nathan and not to lose her, although he believes that there will come a time when this love affair will be quite impossible, a real obstacle, like “a stone”. The last words of the story imply that there will not be another night together.

SOME REMARKS

This story is quite different from the others we have read because it’s the first story we read only about love with sensual and sexual feelings.

The story doesn’t follow any linear order from the beginning to the end because Eric, the narrator, wants to mix his memories, thoughts and desires together, until reaching a possible, perhaps uncertain, end.

After reading this sad and conformist story, I finish my work with three questions:

Must he accept less than he wanted? Do you think he wants to share his lover? Or he prefers to finish his affair?

QUESTIONS

-What is the meaning of the title? Is there a pun with the word “loaf”?

-“All good things come to an end”. According to your opinion, is this saying true for everything?

-Talk about the narrator: family, job…

-Why do you think the narrator tells us about his father being a churchman?

-“Certain female patients didn’t exactly go to see him for their back problems”: do you think it’s true?

-Describe his love for Tanya.

-Tanya’s decision to bed with him, could be a paraphilia? (Perhaps she was attracted by crying men)

-What you invite someone, what is it best: to go where you like, or to go where you think the other person will like?

-Is there only a kind of love (sexual, not friendship or family love)? How many kinds of love are there? Does love change along the centuries? For example: jealousy. A true love, does it have to be jealous?

Does Tanya love him, or she feels pity? What do you know about the novel Beware of pity, by Stefan Zweig?

-What can you say about Zeppo’s?

-What do you think about Tanya’s morality (she has a boyfriend and gets laid with the narrator)? Have you seen the French film À l’abordage?

-“The young are a mystery, a different species”. What sense is this true in?

-Men “might eventually resort to prostitutes”. Is this a cliché for men? And what about women?

-How do you think their relationship will end?

-What is the stone at the end of the story?

 

VOCABULARY

bay window, ammunition, dwell, unaware, swamp, nonchalantly, on tap, get-out card, balm, rehearsing, arouse, breakdown, sheer, vouched, NHS, blubbering, spectacle, unclad, delude, fee, aegis, doomed, allowance, stray, unprompted, period, crust, bereft, lack, egging me on

The Best Days, by Graham Swift

The Best Days, by Dora Sarrión

Sean and Andy are two friends who attend the funeral of Daffy, their former headmaster of Holmgate School, where they had studied six years ago.
It was a grey afternoon and there’d been a solemn and silent moment when the hearse departed, but then, someone had called out “Bye Daffy!!!” and the atmosphere was broken, it was almost like joyful liveliness. People started waving to each other, hand shaking, smiling, speaking. Everyone was freshly aware of being alive in the world and not dead in it.
The two friends spotted in the crowd who assisted to the funeral an old school friend, Karen, whom they both were in love with when they were students.
Karen turned up with her father, who was clearly a bit drunk, and her mother, who was wearing an outfit that was almost identical like his daughter, both were dressed in a vulgar and inappropriate way for a funeral, almost like whores. In Andy’s opinion, the mother “looks a right old baggage”.
These words bothered Sean, because, although deep down he agreed with Andy, he had an experience in the past that brought back him memories about Karen's mother, which were themselves embarrassing, but also pleasant, even exciting.
Sean remembered that, one day, while he was travelling on the bus where Karen was also, he noticed that she had forgotten her bag on the seat when she got off the bus. So he picked it up and decided to deliver it to her house, hoping to see her.
But she wasn't there, Sean found only her mother, who invited him to "come in and wait for her". Sean hesitated for a moment, but in the end he came in.
Suddenly, he found himself in Karen's mother arms and, without being able to avoid it, he lived his first sexual experience with her.
The author mixes several topics in his story:
Death: The atmosphere that usually surrounds funerals is contradictory, on the one hand people usually show sadness and pain for the deceased person but on the other hand, when the coffin is no longer present, they feel relieved and a great joy for the fact of being alive.
The loss of youth, reflected in Karen's mother: Sometimes, it's difficult to recognize the deterioration that the pass of time produces in our physique, and we insist on not accepting that reality, although we know that we cannot hide it even if we disguise ourselves as young people.
Memories: Over the years, when we think back to experiences that we lived in the past, many times they appear in our memory in a blurred way, in a form of sensations, smells, colours, music or phrases. Sometimes, we don't recall the events as they happened, but we can remember the emotions they produced in us. Sean keeps in his mind his first sexual experience, summarized in a sentence, which would stay with him until the day he dies.

QUESTIONS

Talk about the characters

Sean

Andy

Clive Davenport

Karen Shield

Do you have fond memories of your primary or secondary school? Have your opinions changed, positively or negatively, in the course of time?

Do you think unemployed people spend their time doing things that when they were employed couldn’t do?

Graham Swift like to emphasize situations talking about the weather. Did you find an instance of this in this story?

Why do you think a funeral is a good occasion for gathering people?

What kind/class of people attended the funeral? How do you know?

Why does the narrator describe their suits as “interview suits”?

Do you think she had left her bag in the bus on purpose?

Why do you imagine Karen and her friend did at Cheryl Hudson’s?

When the narrator says the “TV was on”, did he want to mean something else?

There are some details to show us that Mrs Shield isn't drunk. What are these? Why does the writer insist on this?

“Had she done this before?” What’s your opinion?

Mrs Shield is very practical: how does the writer show this?

What do you know about In Praise of Older Women, by Stephen Vizinczey, or Elogio de la madrastra, by Vargas Llosa, or about the film Ce que le jour doit à la nuit?

Would you have another point of view of the situation in which the boy was involved, if instead of a boy it had been a girl, and instead of a woman, a man?

After making love, he tried to work out his bearings. Does this feeling have any relation to the saying “Post coitum omne animal triste est, sive gallus et mulier”?

Was Sean a bit in love with Karen’s mother? How do you know?

Can you imagine how the life would be going on for the mother, the daughter, Sean and Andy?

Were those days for Sean the best days?

What is Sean’s moral lesson?

 

VOCABULARY

hearse, spillage, turnout, blustery, daffy, milling, makeshift, grim, barn, craned, drag, stance, abuse, rebuke, outbreaks, drab, flouncy, headpiece, tarty, fetching, sight, smothered, cutely, perky, unredeemed, scruff, blunt, cocky, old baggage, curb, the big V, tugged, goody-goody, delve, primness, sternly, fluffy, deed, ducking, cluttered, glow, bearings, peck, daubed, slab, goggling, prat, lovey-dovey, preening, big-time, jump, get the hots