Showing posts with label irony. Show all posts
Showing posts with label irony. Show all posts

The Cop and the Anthem, by O. Henry

O. Henry at the Wikipedia: click here

The Cop and the Anthem at the wikipedia: click here

The Cop and the Anthem: review

Some academic activities (with solutions): click here

The Cop and the Anthem: audiobook


The Cop and the Anthem: short movie



Presentation

Biography

Oliver Henry, usually written O. Henry, was the pseudonym of William Sidney Porter. He started to use different pseudonyms when wanted to publish his stories while he was in prison. And as he liked O. Henry the best, he kept using it ever after, and we always speak of him as O. Henry.

He was born in 1862, so in the middle of the American Civil War or Secession War, between the slavers confederates secessionists and the yankees abolitionists unionists. His birthday was on the 11th of September, so we have to suppose that if he had known what were to happen, he would have written a story about it, because he liked the surprising ironies of life.

He was born in North Carolina, but he went to live in Texas where he graduated as a chemist (or pharmacist, as he was American, not British). He was then 19 years old.

When he was 25, he eloped with his girlfriend. They married and they had two children, a boy who died soon after his birth, and, later, a girl, Margaret.

When he was 29, he started to work in a bank, and only 3 years later he was accused of misappropriation. In order to avoid the trial and being found guilty, he run away to Honduras. There he started a friendship with a famous train robber. Also, there he coined the expression “banana republic” that appeared in his book Cabbages and Kings.

But when he knew his wife coudn't come to Honduras (as they had planned) because she was dying of tuberculosis, he went back to the USA. He had spent six months in Honduras. Back in the USA, he was found guilty of misappropriation and got a penalty of 5 years in prison, but he went out after 3 years because of his good behaviour.

Then he moved to New York, the setting of most of his stories.

He died when he was only 48 years old of cirrhosis: as you can imagine, he was a heavy drinker.

While he lived in New York, he was a very prolific author because he wrote a story every week for different magazines. He was a popular author; his stories are witty, funny and with a surprising ending, but he wasn’t very praised by critics, because they thought he wasn’t deep enough.

His most known short stories are The Gift of the Magi (where a very poor marriage try to buy presents each other in secret), The Ransom of Great Chief (where two bandits kidnap a boy, and the things doesn’t go as easily as they thought), The Last Leaf (where and old artist helps, in a very special way, to spirit another young artist who doesn’t want to fight for her own life), Hearts and Hands (where a prisoner and his guard travel by train and there they find an old acquaintance), etc. 

The Cop and the Anthem

It was published in December 1904, and it’s a typical Henrian story. It has irony, witty sentences and an unexpected ending. Furthermore, it was adapted for the cinema (as a part of a longer movie) with Charles Laughton and Marilyn Monroe as stars.

It’s about a lazy homeless who feels winter is coming, and knows he’s going to be cold, and, as he lives in the streets, he has to look for warm accommodation. According to his opinion, the best he can get is some months in prison: there he will be fed and will have bed and blankets and a cell with a roof on it and walls around. But the question is how can be he put into prison? So he tries different ways, that is, different minor crimes, and waits for an officer to arrest him. But all of his attempts are a failure, so at the end he decides..., but I’m not going to be a spoiler telling you the end!

I like this kind of stories because they’re pure entertainment, and they are sincere and not pretentious. You read them, and you feel immediately satisfied and happy. But, on the other hand, they don’t make you meditate, they don’t give you new ideas and they don’t stimulate your intellectual or moral curiosity. All in all, however, they’re enjoyable.


QUESTIONS

In the story The Last Leaf, there is a personification: Pneumonia is treated like a person who walks around, touches people and kills them. What personification do we have in our story? Explain its elements.
Our protagonist, what cannot he do to get warm in winter that other (richer) people do?
What was Blackwell’s Island, or, simply, the Island?
What’s the Boreas in our story? What about the bluecoats?
How did Soapy protect himself from the cold the previous night?
Why doesn’t he like to go to a charity institution?
 
Explain the different ways to get arrested, and so an accommodation on the Island:

The expensive restaurant way
The breaking of a shop-window glass way
The regular restaurant way
The annoying a young woman way
The disorderly behaviour way
The umbrella way

 
What are the choosiest products of the grape, the silkworm and the protoplasm in the expensive restaurant?
What does it mean that “the minutest coin and himself were strangers”?
How does Soapy feel after hearing the church music?
At last, how did he get a place on the Island?



VOCABULARY

honk, hegira, parley, minion, loaf, telltale, woo, demeanour, cant, sud, larceny

Sunday Afternoon, by Elisabet Bowen

Elisabeth Bowen at the Wikipedia: here

 The BLITZ. https://commons.wikimedia.org/w/index.php?curid=4104942
 
Elisabeth Bowen was an Irish-born author, but she did her literary activities within a cultural club in London called The Bloomsbury Group, which had its headquarters in the neighbourhood of the British Museum and whose most famous members were the writer Virginia Woolf and the economist John M. Keynes (whose main idea was that the government had to intervene in the economy to correct the bad effects of the capitalism).

But Bowen isn’t very known here: in Catalan you aren’t going to find any translation, and there are only some of this books in Spanish. If you want to find her works in the library, click here.

The short story that we’re reading is a bit autobiographic, because she was born in Dublin and, although she went to live in England, she used to spend her holidays in Ireland where she had an estate and a house, and because during the World War II she worked in London for a Ministry that monitored the Irish neutrality.

Sunday Afternoon is the typical story in where it seems that nothing happens; but the thing is that what happens is about feelings, and this is harder to see and understand; so, I think that the story, although its language isn’t difficult, needs a slow pace and more than one reading.


SOME VOCABULARY YOU'LL HAVE TO CHECK

lawn, drawing, fanlight, twiddle, diversion, nonchalantly, preposterous, at any rate, pert, relinquish, ruthlessness, askance, last quarter (Mrs Versey beauty), besought (beseech), spell


PERHAPS THESE QUESTIONS WILL HELP YOU TO UNDERSTAND DE TEXT.

Who was Mrs Versey and what was her relationship with Henry?
Why, in your opinion, does Ria think that Maria wants to go to London?
What is the relationship between Maria and Mrs Versey?
Why does Ronald Cuffe think Henry is a bit cynic?
Why do you think Maria looked at her wristwatch several times?
How do you know that Mrs Versey is a very rich woman?
Why does he call her “Miranda”? (Maybe the 'Miranda' in Shakespeare's The Tempest?)
What’s the “new number chained to your wrist”?


HAVE A LOOK AT THESE SENTENCES/PHRASES AND COMMENT THEM

“But nothing dreadful: we are already feeling a little sad”.
“The late May Sunday blazed, but was not warm.”
“The coldness had been admitted by none of the seven people.”
“They continued to master the coldness.”
“He was to tell a little, but not much.”
“… the aesthetic of living that he had got from them.”
“’Are the things there as shocking there as they say... or the are more shocking?’, he went on, with distaste.”
“The girl... seemed to belong to everyone there.”
“This outrage... will not have literature.”
“Their position was, he saw, more difficult than his own.”
“Screen of lilac/Another cold puff came through the lilac.”
“You had lost everything. But that cannot be true!”
“You live with nothing, for ever. Can you really feel that that is life?”
“This little bit of destruction was watched by the older people with fascination.”
“’They are frightened someone would miss the bus and come back.’”
“’How weak you are!’” (said Maria)
“I can drive a car.” (said Maria)
“We shall be nothing but brutes.”
“You are only inside their spell.”
“The trouble with you is, you’re half old.”


POSSIBLE TOPICS TO DEBATE:

-Gap between generations (you can see three in the story)
-Wars and desertion
-When can/must you be a pacifist?

Louise

Louise was originally published as “The Most Selfish Woman I Knew”, in Cosmopolitan Magazine (September 1925).

Louise review 

Another review

Text and activities (I)

Text and activities (II)


Illness as Metaphor, by Susan Sontag.

Film made by students. Enjoy it!😉




The Ant and the Grasshopper

Our next story is a fable. A fable is usually a very short story with animals as characters and a moral at the end. An apologue is a short story with a moral. Legends are short stories about fantastic characters. The Greek word for legend is "myth". Sure you know some apologues or legends or myths.

This kind of stories are typical at school because they suppose you learn something from them.

But the question is this: Is the moral from fables and apologues useful, or correct, all the times? You have an answer in the story by Maugham.

More themes you can meditate related to this story are for exemple: Is doing the right think always rewarded? Does doing the right think make you happy?


THE GRASSHOPPER AND THE ANT.

A Grasshopper gay

Sang the summer away,

And found herself poor

By the winter's first roar.

Of meat or of bread,

Not a morsel she had!

So a begging she went,

To her neighbour the ant,

For the loan of some wheat,

Which would serve her to eat,

Till the season came round.

'I will pay you,' she saith,

'On an animal's faith,

Double weight in the pound

Ere the harvest be bound.'

The ant is a friend

(And here she might mend)

Little given to lend.

'How spent you the summer?'

Quoth she, looking shame

At the borrowing dame.

'Night and day to each comer

I sang, if you please.'

'You sang! I'm at ease;

For 'tis plain at a glance,

Now, ma'am, you must dance.'

                                                                                  Jean de la Fontaine


Text and activities:

https://sites.google.com/site/homereadinglessons/the-ant-and-the-grasshopper

***


Another fable is this one:

THE FOX AND THE CROW


One morning a Fox was in search of a bite to eat and he saw a Crow on a branch of a tree overhead with a bit of cheese in her beak.

Up he trotted to the foot of the tree in which the Crow was sitting, and looking up admiringly, he cried, "Good-morning, beautiful creature!"

The Crow watched the Fox suspiciously. But she kept her beak tightly closed on the cheese and did not return his greeting.

"What a charming creature you are!" said the Fox. "How your feathers shine! What a beautiful form and what splendid wings you have! Such a wonderful bird should have a very lovely voice, since everything else about her is so perfect. Could you sing just one song, I'm sure you'll be the Queen of Birds."

Listening to these flattering words, the Crow forgot all her suspicion, and also her breakfast. She wanted very much to be called Queen of Birds.

So she opened her beak wide to utter her loudest caw, and down fell the cheese straight into the Fox's open mouth.

"Thank you," said Master Fox sweetly, as he walked off. "Though it is cracked, you have a voice sure enough. But what about your wits?"

Flatterers live at the expense of those who listen to them.

***


I think you can find another more positive lesson for this fable. What is it?


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The Escape

This is a short story about a man who doesn't want to marry a woman, but without hurting her. Is his tactic a good one?

Summary

Analysis

Text and activities