Fusilli, by Graham Swift

FUSILLI, by Aurora Ledesma

SUMMARY

The story begins with an unnamed man shopping in a British supermarket called Waitrose, two weeks before Christmas. While he is in the supermarket, he thinks about how he and his wife Jenny, had decided not to celebrate Christmas that year. They had also ignored Remembrance Day because of superstition. As he walks through the aisles, he remembers a call a month ago, from his son Doug, who was a soldier deployed to Afghanistan. The man was anxious to talk to his son. Doug advised his father to try the “fusilli” variety: “You should stick with dried” “Fresh is a scam”.

Now the man thinks that he and his wife will never eat fusilli again. It is revealed that Doug has died, and the call was the last time his father had heard his voice. Doug was in a mortuary in Swindon, waiting for the coroner’s decision. It was pretty clear now that they couldn’t have Doug before Christmas.

In the pasta aisle, while he is remembering the call, he sees a woman with two children. The woman is a bit stressed because her noisy children were screaming and out-of-control. He looks at the mother and thinks, “She doesn’t know how lucky she is”.

In the end of the story, he decides to buy the fusilli and puts it close to his chest. The pasta isn’t to eat, but it is some sort of memory for Doug.

 

ANALYSIS

In this story, the narrator goes between the present time and the past. The short narration is structured around the feelings and thoughts of a father who has just lost his son. Therefore, loss and grief are the most important themes. It shows us the difficult life of a father who is trying to accept the death of his son, who has been killed in the Afghanistan war. The man is also shown to suffer from multiple emotional conflicts. He wants to remember his son, but, at the same time, he is terrified of thinking about him. He also remembered when his son was a kid in the days when Christmas was coming, looking for a gift to give him. He also wondered if the toy gun he once gave Doug, as a Christmas gift, indicated that Doug would end up going to war. He constantly reconsiders his past actions and thinks he could have prevented his son becoming a soldier or even prevented his son’s death.

This story tells us what happens to the one left behind and how they deal with grief. His grief makes him question everything. Maybe, if he hadn’t been angry when his son called, his son wouldn’t have died.

 

The story deals with several themes, such as:

-The loss of a loved one and grief. Is it possible to become happy again after having lost a person you love as dearly as parents love their children?

-The meaning of wars in a distant country for families, no parents should live to see their son or daughter die. However, in times of war, young men and women, sometimes have to pay the heaviest price and sacrifice their lives to protect others.

-How superstitions influence us.

-The consumerism and all the products for sale a long time before the main holidays (Christmas, Halloween…)

QUESTIONS

What do you think about Christmas? Do you understand people who doesn’t celebrate it? What is your opinion about Bank holidays or days’ celebrations?

What do people do on Remembrance Day? When is it? Why there were “little boxes of poppies”?

What is it your method of shopping in a supermarket?

What can you say about Helmand?

What is your opinion about taking part in a foreign war like a soldier or like a Blue Helmet?

What kind of conversation can you have with a person that is in the middle of a war?

What do you think of giving toy weapons as a present for children?

“The kids were doing only what kids do”. How true is this sentence? (Boys will be boys)

When did you know that your children could give advice to you?

Why did the writer choose “Fusilli” for the title?

 

VOCABULARY

aisle, mince pies, poppies, supermarket run, dithering, scam, fads, splashing out, Waitrose, Tesco's, mortuary, traipsing, Mothercare, marauding, goat, brats, knobbly

TWO WORLD WAR I POEMS

In Flanders Fields, by John McCrae

Strange Meeting, by Wilfred Owen

Lawrence of Arabia, by Graham Swift

Old Harry Rocks at Studland

SUMMARY, by Adriana Cruz 

This fragment makes us reflect on situations and moments in life that are marked and that we leave our marks. It starts with Hettie who is in the guest bedroom looking at the painting on the wall and thinking how graceful death can be. From then on, several reports of her wedding and honeymoon, then the gratitude for her sister-in-law having received her at Christmas and how they felt more like sisters and all the protection she gave her.

They say that no matter how much we prepare for death, we are never prepared. No one knows the date or the weather. 

Her husband Roy had died just before Christmas. She left the hospital, took a bus and didn’t understand why all this was going on, she didn’t want to accept it. She just wanted Roy to be with her. Then, inside the bus, she sees Peter O’Toole all over the newspapers. He, too, had died. She didn’t see the actor, but Lawrence of Arabia in his white robe, it was as if he had died again. 

What she demonstrates at the end, comparing the physical aspects between the two men (who didn’t have any resemblance) is the acceptance of him. Saying that it was just as his younger brother was before, just as Nelson Mandela was too, would change nothing because he is gone too.

QUESTIONS

What do you know about Peter O'Toole and Lawrence of Arabia? (Do some research, please.)

And about Nelson Mandela? (Do some research, please.)

Can you give us some information about Studland and the Scilly Isles?

We couldn’t choose a day to be born, and we won’t be able to choose a day to die. All our life is between two random dates: all our life, is it a product of the chance, or can we really conduct our lives?

What do you think about these couple that wanted to have a baby the 1^st of January 2000 / 2001, that is, the beginning of the 21^st Century?

What do you know about Harold Wilson? (Do some research, please.)

Would you feel better if you die in company of famous people? And in a big accident, with a lot of casualties? Or with someone you loved (suicide by love)?

“Peter O’Toole suddenly came along? And what girl wouldn’t? In her dreams.” Who were your favourite actors/actresses, your idols? Why?

How do you feel when a global event stifles your personal event?

Why do you think the story is in the second person?

 

VOCABULARY

rallies, crows, crones, crumple-faced, tinsel, cracker, amenity, squinty, peek-a-boo

Tragedy, Tragedy, by Graham Swift

Tragedy, Tragedy, by Lídia Gàllego

 

In the morning break, Mick talks about the improper use of the word “tragedy” in newspapers. As an example, he gives the case of Ronnie Meadow, who died of a heart attack. Concerning this, Bob also has doubts about the use of this word. Ronnie was a colleague who had a heart-attack driving a fork-lift at work. Mick thinks that newspapers use the word “tragedy” when they don’t know what to say.

Bob remembers the moment when the ambulance came and Ronnie’s wife came too. Mercer was there and said to Mrs Meadow that it was tragic, unknowing what else to say.

Mick begins a reflexion around the term “tragedy” and tries to imagine how to describe the death of a mountaineer while trying to climb. He thinks the better term to define the situation would be “heroic”, while Bob thinks the adjective could be “mad”. Mick thinks that all mountaineers dream to die climbing a mountain, but, in the other hand, he thinks it’s tragic when a mountaineer dies climbing up some easy-peasy little mountain. Bob can’t understand Mick’s reasoning and decides to ask him the killer question, “why?” Mick give him a quick answer with whom Bob disagrees. But all the discussion causes Bob beginning to think about what can be considered tragic or not. Finally, he realizes that all the thoughts that Mick express were only the expression of his fear.

The discussion ends, and Mick believes his argument has won. But Bob finally understands that people use the word tragic because they can’t use the word they ought to say: comic.

QUESTIONS

-Talk about the characters

Mick

Bob

Ronnie

-The place somebody dies: Do you feel a kind of awe or respect passing by it? (Remember the bouquets of flowers by the roads)

-Do you think there are “glasses’ faces”, that is faces where glasses (or earrings or a tattoo, or a haircut, or a lipstick colour) suit perfectly?

-Do you think that a change in your style of dressing or in the complements you wear can change your life?

-What is the best way, according to your opinion, to “quit the fags”? Were you a smoker? How did you quit it?

-What can you tell us about Hamlet? Have you read or seen the play?

-What do you know about the Lake District?

-What is for you the “killer question” when you want to decide about a film, a friend, some clothes, a lover, a dish…?

-What do you know about Beano and Dandy? Did you use to read comics? What was your favourite comic / comic character? Why?

-Are / Were you a newspaper reader? What is your favourite newspaper?

-Could you really say “comic”, or even think, about somebody’s death?

 

VOCABULARY

canteen, half-rims, fork-lift, headline, drumming, lawn-mower, gasping, mouth off, quit, pallet cover, skirting round, dawdling, fags, nipping off, daft, wipe, easy-peasy, hankering, killer question, search me, keel over, slumps, dotted, zonker, talking cobblers, score, scrunched

Mary Postgate, by Rudyard Kipling

Rudyard Kipling at the Wikipedia

Mary Postgate, analysis

Mary Postgate, essay

Audiobook

RUDYARD KIPLING

 

BIOGRAPHY

 

Rudyard Kipling was born in Bombay, India, in 1865. His family were very important people, and they were related to politicians and artists of the time, people that belonged to the Establishment.

When he was five, he was taken with his sister to the UK, where they were left with some cruel relatives. There he went to a poor boarding school, where he had to endure its military discipline.

When he was sixteen, he went back to India, where he worked as a journalist because he couldn’t be a soldier as he was short-sighted. But, thanks to his job, he could make himself deeply acquainted with the true Indian life.

While working as a journalist, he wrote his first poems and short stories, and those were widely read. So, when he went to England at the age of 24, he was already a well-known author. His stories were very popular because people liked exotic countries and because his style was lively and brilliant, something he undoubtedly learnt from his job as a journalist.

When he was 27, he married Carolina Balestier, sister of an American publisher, and the couple settled in Vermont. They travelled a lot, but, four years later, they returned to England because Rudyard couldn’t cope with the American lifestyle.

When he was 42, he got the Nobel Prize for literature, and he was the first English writer to get it.

During the WWI, he was pro-war and lost his son in the trenches. Then he worked in an official institution in nationalistic propaganda to support the army in the conflict; he wrote things like “Germans aren’t human beings, they are beasts”. From then on, he began to lose popularity because his topics started to be too fantastic and difficult.

He died in 1936, when he was 71 years old.

He wrote about his childhood and teenager experiences in Stalky & Co. His novel Captain Courageous is very famous for the film adaptation starring Spencer Tracy; it’s also famous Kim, the narrative about an Irish orphan having to earn his living in India. But Kipling is better when he writes short stories, like the Jungle Books. It’s also well-known the film adaptation of The Man that would be King, with Sean Connery and Michael Caine. A very interesting collection of stories for children is Just so Stories where he explains fabulously the mysteries and wonders of the nature, as for example, why the elephant has a trunk, or why the cheetah has stains in its skin.

You also have to know the poem If, because a president whose name it’s better not to remember, said he liked it.

If-, by Rudyard Kipling

 

 

MARY POSTGATE

This is the story of Mary Postgate, a very simple-minded servant who is contracted to work for Miss Fowler, a rich old spinster. Some time after starting her job, Miss Fowler has to adopt a nephew because his parents had died, but Mary Postgate is who takes care of him, protects him, defends him and indulges him. However, this nephew, Wyndham (Wynn), treats her very badly, although she doesn’t seem to notice, or she doesn't hate him for it. Then the WWI breaks out, and Wynn enlists as a pilot. He dies in a training flight, but Mary never shows her sorrow, she only wants to do practical things. Miss Fowler asks Mary to burn almost all his possessions. And then, when she is making things ready for the fire, there is a shocking incident: a barn has collapsed and has killed a girl. People think about a bomb dropped from a German plane, but the doctor says the barn was already decaying and that it collapsed by itself. Short after this, when Mary lights the fire, he sees an aviator badly injured in a tree nearby.  Is he German, French or English? Has he dropped a bomb? Is he going to die? Is Mary going to help him or call the police?

 

QUESTIONS

Talk about the characters

Mary Postgate

Miss Fowler

Wyndham (Wynn) Fowler

What do you know about the WWI?

What are Taubers, Farmans and Zeppelins?

Why does Miss Fowler ask Mary, “What do you ever think of, Mary?”, and on what occasion?

What is Contrexéville?

Explain Wynn’s accident and the women’s reaction to it.

Miss Fowler said, “Old people and young people slip from under a stroke like this [her nephew’s death]. The middle-aged feel it most”. What is your opinion?

Why did Mrs Grant say, “he’ll be practically a stranger to them”?

What do you do with the things of a dead person, a relative?

What nationality was the agonizing pilot in the tree? How do you know?

What would Wynn have done with the injured pilot?

Did this aviator kill Edna with a bomb? How do you know?

How did this pilot die?

Was it justice or revenge?

Was any love between Mary and Wynn? Why do you think so?

What is the meaning of these questions: “Mary, aren’t you anything except a companion? Would you ever have been anything except a companion?”?

Why is Mary “quite handsome” at the end?

 

 

VOCABULARY

unflinchingly, slander, odd, cliques, unitemised, shamble, butt, gazetted, bouts, cassowary, bathchair, stinking, tow, buttoned up, fended her off, wailed, gaudy, barrow, goloshes, assegai, O. T. C., pewter, unearthed, fret-saw, condemned, paviour, char

A Bit of Singing and Dancing, by Susan Hill

Susan Hill at the Wikipedia

Susan Hill at the British Council

Susan Hill's website

A Bit of Singing and Dancing, analysis

A Bit of Singing and Dancing, summary

The Woman in Black, film

BIOGRAPHY

She was born in 1942 in Scarborough, a tourist resort on the East coast in the North of England, where we have to suppose our story is situated. When she was sixteen, her family moved to Coventry, where her father worked in a car factory.

He got a degree of English at the King's College in London.

She got married; her husband died, and she got married again, and they went to live in Stratford-upon-Avon. She had two daughters. Later, she left him and went to live with a Barbara Machin.

She founded her own publishing company.

She wrote mainly ghost stories, as The Woman in Black, (adapted as a play and still on the stage in London) and crime novels, but also stories like the one we’re reading, or, for example, a novel set in the WWI, Strange Meeting, or Mrs de Winter (1999), a sequel to Daphne du Maurier's Rebecca. She explores the childhood cruelty in the short story The Badness Within Him, and in the novel The King of the Castle (it won the Somerset Maughan Award). She has edited several anthologies of short stories, including two volumes of The Penguin Book of Modern Women's Short Stories.

Hill's prose flirts at times with a romantic image of an aristocratic England and a sentimental vision of the country before (or during) the war and imperial decline.

SUMMARY

Esme is a 5o year old woman who, as an only daughter, has had to take care during eleven years of her bedridden mother. Now her mother is dead, and a free future, open to all sort of possibilities, lays open in front of her. Nevertheless, her mother’s voice recurrently goes on admonishing her inside her head. But one day, a curious stranger comes to her door looking for a room to rent, although she had not even though about it. Of a sudden, she decides to rent him her mother’s room. Are they going to get on well? Would he be a trustworthy guest?

QUESTIONS

Do a bit of research and tell us what kind of TV programmes were “Morecombe and Wise” and “Black and White minstrels”. And who was Doctor Crippen (10, 11)?

What TV programmes used to see the old generation. And the new? Do young people watch TV?

How long are people in mourning? What do people do to show they are mourning (e.g. clothes)?

“An argument sharpen the mind”. What does this saying imply? Who were the sophists?

Talking about the will: what is your opinion about the government’s taxes on properties given in a will?

We usually see British or American funerals in movies. What are the differences between these and the funerals we celebrate here?

“You will feel the real shock later.” What do you think is the reason for this?

Esme tends to do the same things her mother did, although she hated these things in  her mother. Did you find yourself in a similar situation, and if you did, what do you think it’s the cause?

Why “Park Close could be a “comfortable” address?

In the story, there is a blatant ellipsis: the moment before Mr Curry holds a pickle with his fork. Can you explain what happened in this ellipsis?

“To stay young, you have to be constantly surprised.” How can one be constantly surprised?

Where is Mr Curry from? How do you know?

What is the meaning of “sound of wind and limb”?

“I am the kind of person who needs to give service.” Is an altruist person better than an egoist one? Don’t they do what they do for their own pleasure? What do you think about this?

“One is never old to learn, Mr Curry” What can people learn when they are old?

The story has an ending, but I think it could go on. Can you imagine a new ending?

VOCABULARY

shingle, banked-up, pipes, gale, sleet, pinched, scones, indulge, news items, bedridden, gulls, outing, will, extravagance, giddy, twilight, crawling, crooners, jabbed, runner, hoard, ruthlessly, cuff links, spruce, darn, rash, untapped, bulky, trimmed, loft, thatch, sinewy, bereaved, seances, curtailed, gave... away, bring-and-busy sales, coffee morning, dearth, carnation, dapper, boater, charabancs, putting green, despise

Errand, by Raymond Carver

Raymond Carver at the Wikipedia

Raymond Carver: bibliography

Errand: review

Errand: summary and analysis: enciclopedia

Errand: enotes

Short Cuts (trailer)

Jindabyne (trailer)

Birdman (trailer)

Everything must go (trailer)

A little bit of biography

Raymond (or Ray) Carver was born in a milltown in Oregon (on the West coast), in 1938 and died when he was 50 years old of lung cancer.
His father was a millsaw worker and a heavy drinker, and his mother worked as a waitress and a clerk, so they were a lower class family.
Raymond also worked with his father in the millsaw. He also learned to fish, so fishing is a theme that appears in some of his stories.
At 19 he got married to Maryann Burk, 16 years old. We have to suppose that they married because they had a baby the same year. Then they had another next year.
Both, Raymond and Maryann, had different jobs and they try to go on studying; Maryann finished her studies, but Raymond never finished any of his courses. Besides temporary occupations, he got precarious jobs as a writing teacher or university teacher, but because of his alcoholism he finished working as a janitor in a hospital and writing in his spare time.
At 34 he fell in love with Diane Cecily, editor at university, and he started drinking heavily and abusing his wife.
When he was 38 he began to date Tess Gallagher, a writer who later will become his wife. In this time he had to go to the hospital several times because of liquor intoxication. He realized that he had to stop drinking, and he started his second life thanks to Alcoholics Anonymous (but he never stopped smoking marihuana and even tried cocaine).
At 44, he got divorced (he was already living with Tess).
Six weeks before dying at 50, he got married to Tess.
He published his first short story when he was 23 and was studying at Chico Public University. It was called The Furious Seasons and bore a strong influence of William Faulkner.
His first short story collection Will You Please Be Quiet, Please? was published when he was 38. But although it was shortlisted for the National Book Award, he didn’t sell many copies.
He had more collections of short stories, and the most famous are What We Talk When We Talk About Love and Cathedral.
When we talk about Carver we talk about minimalism and dirty realism. Minimalism means avoiding all rhetoric, and that if you can say something in ten words, please, don’t use twenty. And dirty realism implies that in your stories you are going to use characters that belong to the lower classes of the society, that your heroes are going to be anti-heroes, e.g., isolated marginalized people, people with alcoholic problems or difficult relationships or broken families. So we have to suppose they are sad stories.
Everyone can feel the influence of Hemingway minimalism in his work, but he said his main influence was D. H. Lawrence.
It’s an irony, but the last story he wrote, before dying, is Errand, where he narrates an anecdote of Chekhov, another famous short story writer, just before his own death.

Errand

In this story, very different from his other stories because it’s almost “classical”, Carver writes about the last days of the life of Chekhov, a Russian writer revered by most short story writers. Chekhov was having dinner with Suvorin, a publisher, in Moscow, when he started bleeding from his mouth. The Russian author knows that his life is in danger and travels first to Berlin with his wife Olga Knipper, where he sees a doctor who doesn’t help him, and then to Badenweiler, a spa resort where he says he expects to get some recovery (although he doesn’t really believe it). He and his wife are staying in a hotel, and the doctor who treats him, Dr Schwörer, realizes that there’s no hope and orders champagne as the last honour to the famous writer. The author drinks and dies, and then there is a change in the way of telling the story, because we see the situation through the eyes of his widow Olga. Then, after a wake until morning, she asks a waiter who had come into the room to bring a vase of flowers to go and fetch the mortician. The story has a special ending, but I’m not going to be a spoiler revealing it.

QUESTIONS

Talk about the characters according what it is said about them in the story. But what do you know about them as historical people? Did they know Chekhov or his writings?

Anton Pavlovich Chekhov

Suvorin

Maria Chekhov

Lev Nikolayevich Tolstoy

Olga Knipper

Dr Karl Ewald

Dr Schwöhrer (and his presciptions)

The waiter (the young blond man)

What happened at the restaurant in Moscow?
What were the characters’ feelings about the TB?
Personal question: Do you have an opinion or a belief about the immortality of the soul?
What do you know about TB?
Where is Badenweiler?
Explain the courtship between Olga and Anton.
What can you say about The seagull and The Cherry Orchard?
Why did Chekhov mention the Japanese?
Summarize in one sentence Chekhov’s death.
What do you think is the meaning of the “large moth”?
What is the meaning of “history” in the sentence “Dr Schwöhrer picked up his bag and left the room and, for that matter, history.”
What happened with the bottle’s cork?
Describe the scene between Olga and the young man at Anton and Olga’s room.
What is the meaning of the title Errand?
In the last paragraphs, there is a change in the verbal tense: the past tense has changed into “would”? Why?
What do you think is the meaning of picking up the cork in the last sentence of the story?

VOCABULARY

private, take in (took in), stanch, jest, sleet, well-wisher, out-line, junk, bearskin, numbered, reckless, on the mend, complexion, Moët, grapple, mortician